mundanemerman:

theprettyboysclub:

2rsquared:

venusian–eye:

technically we’re ALL, always LARPing, because the Self is only a construct,

I want a new character

Then make one.

“Then make one” has the same energy as “then perish” but like. Opposite. Same and opposite.

foundlingmother:

foundlingmother:

*deep breath* 

The second most irritating thing a person can say in regards to Loki is that that he faked his sacrifice in TDW. Bonus points if they’re a fan of Ragnarok, which goes out of its way to point out how Loki’s illusions are not solid. THEY ARE NOT SOLID. They become distorted when touched. So how the fuck did Loki fake being stabbed? And when he nearly got sucked into a black hole grenade saving Jane, was that part of his master plan to take the throne of Asgard, too? What about offering said throne to Thor? Ugh! 

The most irritating thing a person can say in regards to Loki is that he faked his death/suicide in Thor. I have no words for these people. They render me speechless.

Honorable mention goes to people who call Loki fascist in Avengers. I assume because they can’t understand subtext. Bonus points if they were around before Ragnarok and thought Loki was a great, sympathetic villain, and have only now started talking trash about his characterization pre-Ragnarok because it’s in to hate on the previous iterations, especially those written by Whedon.

scintillatingshortgirl19:

palladicannoneaccesa:

Tom Hiddleston in ‘The Avengers’, (2012). Dir. Joss Whedon.

Something I really love about this shot is the way Loki looks at the scepter for a second right before attacking with it. I can kind of see his thought process throughout the gifs – he arrives, just having come from whatever horrors he’s experienced with Thanos, disoriented, probably very scared on the inside. He examines this extremely powerful weapon he probably has no experience using. He gathers what little strength he has, collects his thoughts, can I really do this, and then he looks up, menacing,

there’s no turning back now, attacks in sudden full-villain mode, and proceeds to continue this way for the duration of the story – mad and murderous and unshakably determined, with terror and agony just barely contained under the surface. It’s one of those little things that shows how lost he is in this film underneath the “big bad villain” exterior.