toomanylokifeels:

philosopherking1887:

Unpopular opinion: the movie with the best characterization of a mature Thor is Avengers: Age of Ultron.

The opinions on quality of Thor’s maturity and growth across films will always be subjective, I believe, but Thor in Age of Ultron is underrated in this regard. I think it’s the first movie where we see Thor not necessarily in the process of becoming more mature, but being mature. It’s the first film where Thor isn’t just actively trying to overcome the mistakes of his youth, trying to find his own way in the universe, and/or fighting with sentimental emotions to do what’s right. 

I don’t think this opinion is unpopular simply because many people think that it is completely not true, but rather because this film is unpopular. It’s easy not to pay attention to Thor’s characterization when it’s not a fan favorite for a lot of people. From what I can remember, parts of the fandom were fizzling out and the excitement of the first Avengers film was wearing off. However, what I also remember was the overwhelmingly positive reaction to Thor despite it all

I believe that was in part because Thor was the mature one. Thor was the wise one. Thor was the patient one. Thor was willing to face many unknowns in order to make the right decisions. Thor embodied qualities that people wished were present amongst all the other heroes. Of course, this was all made possible by Thor’s growth over the previous films. Thor was relatively sheltered from consequence for a long time as a prince, but was forced to mature.  

Thor was more somber in Age of Ultron, due to the loss of his mother and his brother. While this could have made him self-destruct and I would not blame him for it, he chose to turn his mourning into something productive. He was shaken by the visions he was given, and chose to go out to find answers despite how frightening those answers may be. Furthermore, while his anger often gets the best of him, he only lost control on Tony Stark.

Why? …because he actually understood the gravity of Stark’s choices. Thor wasn’t having a tantrum. He wasn’t aggravated because he was prevented from doing something he wanted or needed to do. He wasn’t being impatient. He was angry because no one seems to be taking the situation as seriously as they should and if they are they’re wallowing in despair, while Thor has been working tirelessly to find solutions to a situation that could have been prevented. 

Thor was the mature one in that film, because he had to be. To me, that doesn’t mean that Thor needs to maintain a serious outlook and attitude across the films moving forward. Thor continues to make difficult decisions despite the amount of pain and loss it brings him, and he’s been able to do so with a serious attitude and with a sunny optimistic disposition as well. Age of Ultron Thor embodies maturity in a lot of ways, though, in a manner that stands out.

It’s just unfortunate that the movie does not equally stand out. 

Unpopular opinion #2: AOU is underrated, largely because people have the knee-jerk impulse to demonstrate their moral purity by hating on Joss Whedon for everything he does – not just his characterization of women, which does have some issues, but also his storytelling and characterization abilities more broadly. Plot-wise, AOU is no messier than Civil War; in terms of character arcs and philosophical depth, it’s in a different league entirely.

Unpopular opinion #3: Ragnarok does not show a mature Thor but “with a sunny optimistic disposition” instead of a serious one; it does not depict Thor at all. Infinity War attempts to get back to mature Thor, but is hampered by the need for some kind of continuity with Ragnarok (which showed no such consideration for its predecessors) and the fact that character was taking a backseat to a contrived plot throughout IW.

Unpopular opinion #1b: Thor in AOU is exactly what “funny Thor” should look like. His sense of humor is subtle and deadpan; he occasionally veers into the undignified, but never comes off as a buffoon.

thorduna:

cookiesforthedarkside:

sb: thor isn’t made of sunshine and rainbows, and is actually a complicated guy who’s done some bad shit, and shouldn’t be treated as an innocent teddy bear

thor stans: is this character hate?

thor stans: thor isn’t perfect but he’s not malicious and sure as shit didn’t try to commit genocide

sb: wow such a flat outlook on character. thor stans just can’t see thor as anything but perfect. sad.

As a fan of both Loki and Thor who finds Loki more interesting as a character but certainly does not deny that he has more moral problems than Thor, I have to point out that that’s a peculiarly bad example. Kid Thor saying “When I’m king, I’ll hunt the monsters down and slay them all” can be dismissed as little-boy careless bravado. Young man Thor, after starting a destructive battle on Jotunheim, shouting “Father! We’ll finish them together!”… harder to dismiss. Maybe he just means “defeat them definitively”; maybe it’s just the rage of battle talking. Or maybe he meant what he said when he was a kid.

Loki certainly has a more effective plan to commit genocide, and probably comes closer to succeeding. It’s indirect and technological rather than direct and warrior-like; that’s part of the difference between their characters. Loki’s attempt also has the complexity of being undertaken after finding out that he’s a member of the group he’s trying to wipe out. Does that make it morally better? Not exactly, but it does add an element of twisted pathos. In both cases, Odin’s miseducation deserves a large share of the blame.

juliabohemian:

In light of THIS post:

First, I’d really like to write more about this, but free time is intermittent for me. Please, please don’t comment or share this just to argue with me. If you have well thought out points that are based on critical thinking, okay. Otherwise, that’s not why I come to this site. And I will probably just end up blocking you to save myself the stress.

That being said…


I think my issue with Thor fans is that they don’t analyze Loki’s relationship with him critically. Imagine that you just met these two guys. They weren’t gods. They were just two brothers. One wasn’t a hero and one wasn’t a villain. They were just regular guys. Their relationship would seem woefully imbalanced. Most people’s perception of these two characters is deeply colored by the fact that one is marketed to us as a hero and the other a villain.

I often seen people cite examples of how Thor loves Loki -but then they will list something that is actually an example of how their relationship is dysfunctional. Thor “trusting” Loki in TDW was not love. It was desperation to save Jane. It was about his infatuation for Jane. Thor’s relationship with Jane didn’t last -most likely because it was more about possessing her than actually being with her physically. 

Thor telling Loki “maybe you’re not so bad” or “maybe there’s still good in you” or “I thought the world of you” is not love. It’s manipulative and passive aggressive and once again, dysfunctional. 

Thor using Loki to do “get help” was not an example of how well they get along. It was an example of how Thor continually disregards Loki’s feelings, as long as it serves his purpose. 

Thor is nice to Loki when he needs something from him. The eagerness with which Loki responds to this is disturbing. They are both very messed up people. Loki’s eagerness to gain validation from someone is most likely what led to his entanglement with Thanos. 

Thor’s obsession with Earth is not love. It’s ego. He likes the idea of protecting someone who is smaller than he is. He likes that they adore and worship them there. And in his defense…who the hell wouldn’t like that?

Does that mean Thor isn’t capable of love? No way. It just means that because of his personalty, experience and maturity level, his concept of what it means to love someone is fairly skewed. Loki’s too, for that matter.

Now all of that being said, I don’t mind that this is their relationship. If they weren’t dysfunctional, they would likely be very boring. I continue to be confused as to why people want to defend Thor, as though the fact that he is a hero means he is supposed to be completely without flaws or questionable motives.

In classic literature, heroes are flawed by nature.

Here’s what Thor SHOULD have said to Fury in Avengers: “My brother tried to kill himself and I’m frankly relieved to find out that he’s still alive. He is unwell, I’m afraid. Please allow me to talk to him and reason with him and take him back home.” And then Thor would have done his best to return Loki to Asgard immediately, instead of dicking around on a hillside with Tony Stark and then dragging Loki off so SHIELD could put him in Bruce Banner’s cage. Those would have been the actions of someone who loved and cared for his brother. Unfortunately, they would also have made for a very boring movie, which is why we got something else.

I will add to this later, when I have time.

I have less of a problem with Thor’s lapses in sensitivity in The Avengers than in Thor: Ragnarok, because he’s still working on his process of maturation and we’re aware that he comes from a warrior culture steeped in toxic masculinity and completely lacking a compassionate understanding of mental illness. But we watch him growing up through the movies that follow… until Thor: Ragnarok, when all of that is more than reversed.

The other extremely problematic thing that I see people citing as an example of how much Thor loves Loki is “Thor didn’t kill Loki when he could have.” Like, what? That is such an incredibly low bar. No shit you don’t kill someone you love, even when they do something shitty to you. If you love them, you also don’t inflict unnecessary pain on them. Saying “Thor just immobilized him with the obedience disk instead of killing him for his betrayal” is like saying “You know that husband loves his wife because he only sprained her wrist when he found her cheating on him, he didn’t actually break it.”

And no, that is not comparable to arguing that Loki still cares about Thor even when he’s in villain mode because he only does things to incapacitate him, not kill him. What Loki does when he’s having a complete emotional and psychological breakdown in Thor or when he’s been manipulated, probably tortured, and severely coerced by Thanos (NOT brainwashed or mind-controlled, I didn’t say that) is NOT comparable to what Thor does when he’s completely in control of his rational faculties, as part of his “clever plan” to reform Loki. In my fanfiction, I’ve had to reinterpret that incident in Ragnarok as Thor reacting in irrational anger, because otherwise it’s unconscionable.

Overkill…

led-lite:

OR, How I Can’t Stop Thinking About Loki’s Grotesque End in Infinity War and Why It Doesn’t Sit Right In the Cinematic Universe

I get the WHY. But not the HOW.

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Constantly thinking about this is what inspired me actually the other day to writeup this post (re: Zara in Jurassic World) because that was the last time a movie death made me feel queasy and I have seen SO MANY MOVIES in the last three years.

It’s not like characters in both JP and the MCU aren’t disposed of all the time but generally films follow a rule of the punishment fitting the crime. This BirthMoviesDeath article elaborates on this concept and the Jurassic deaths really well and aligns with how I’m going to be talking about Loki here. This isn’t a rule based in life obviously or even in all movies, but it is established in popcorn blockbusters which these indisputably are. In Zara’s case, there was exactly zero respect for the fact that she was just a flighty nanny when the movie ran her through an absolute horror show. And it stood out like a sore thumb.

In Loki’s case, it’s obvious that this film’s “reasoning” for his dying was to fuel Thor who didn’t really need it and to show off their Bigger Stronger Newer Villain.
Fine. I anticipated all of that. It’s somewhat lazy, but it is an effective shorthand for those story points.

The disturbing thing here though is Loki hasn’t been a proper villain in years. In fact, in 2017 he moved to full on hero status in the last act of Ragnarok— and even when he was at Peak Villain, he was not a torturer. 
TELL THAT TO AGENT COULSON OR THE ONE-EYED DOCTOR IN GERMANY, LAUREN!
I WILL GET TO BOTH, HUSH
.
So that’s what makes his death so disproportionately upsetting. It is, for lack of a better term, overkill.

His largest scale villainy was the invasion in the first Avengers where his personal kills were instant blasts of energy, and presumably the fallout of destroyed buildings. The former isn’t in the torture range, the latter’s impact is cinematically blunted by the Marvel universe rarely showing the injuries in large scale invasions or going to great lengths to have their heroes evacuate the affected areas and that distinction matters here.

So let’s go through how it DID go down and how it could have gone without leaving the audience needlessly wincing five minutes in and weeks after.

Sorry in advance by the way, because in the end of my analysis and my suggestions for how this might have been better handled, Loki’s neck is still broken.

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To date myself, I said Loki got “Jenny-Calendar’ed”. And they could have easily done this as quickly (you still get to use that gross sound effect, Russo team!) but INSTEAD we have: 
(And if you don’t feel like reliving this, go ahead and skip over the bullet points)

  • Loki is picked up by the throat and begins kicking like a helpless animal
  • We watch as Loki’s eyes bulge and he struggles to speak
  • He does get out a final line though his face is practically blue
  • Thanos cracks his neck with his thumb and a sickening sound effect
  • The camera does not cut away, we see Loki’s face and frame go slack
  • Thanos does not drop Loki, but instead walks the ragdoll-like body in frame, to drop him in front of his brother.

It is excessive and cringe-inducing.

Now back to the eyeball-stealing scene. One of the most intimately violent attacks Loki did in the MCU.

Loki brandishes the eye snatching device and brings it down upon the terrified doctor but the film cuts away from the victim and focuses on Loki’s grin as the onlookers scatter. The most we see of this act is an obscured shot of the German man’s body twitching (also, if I recall correctly, the blu-ray captions say “squelching sounds.” Ick).

I bring this up only because I was struggling to find an act that Loki did on screen where what he dealt out was comparably as grotesque as to what happened to him. Only the first Avengers didn’t amplify this violence by—and you could just IMAGINE the outcry that would have happened if instead—Loki pulled out the device, he rammed it into the doctor’s face, we then STAYED on the doctor and watched his eye be excised from its socket. When Loki is done in this version, he would push the body off the table and show the isolated eyeball to nearby innocents and we would hold on a closeup on the German’s corpse.

IF this had happened, I would have said watching Loki getting choked out was fair cinematic game.

Additionally, Loki’s stabbing of Agent Coulson was literally cinematically declawed. 
OUTTAKES
:

image

FINAL FILM:

image

Catch the difference? The filmmakers removed the impaling scepter tip from going all the way through in the final product because it was unnecessarily violent for getting the point (harhar) across in this PG-13 comic book film.
Here, the point was to unite the Avengers against this evil and taking out Phil galvanized them on a more personal level. In the meantime, it didn’t needlessly maim Agent Coulson. You felt sorry for him, but not nauseated.
(Sidenote: Poor Thor having a front row on both of these deaths.)
(Second Sidenote: Remember when Loki could teleport away from problems as illustrated in the above scene? Huh.)

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Moving on.  So going by the premise that Loki just had to die to similarly motivate Thor to vengeance on Thanos, how might have Infinity War have HONORABLY discharged Loki, so to speak?

My thoughts:

  • Loki pulls his dagger on Thanos, who then grabs his wrist as we saw. 
  • Thanos makes plain that he means to kill him  (you could even keep that same snarky line spitting “undying” back in Loki’s face)
  • Thanos wraps his Gauntleted hand around Loki’s throat (not lifting or choking), while the space gem glows brightly indicating Loki’s teleporting means are stunted and he is truly stuck. (Like how they explained Vision’s failed phasing later)
  • Loki, confidently, ANGRILY and in clear voice delivers his “You’ll never be a god”
  • Thanos *maybe* gets in a quick retort or *maybe* throws some snide remark in Thor’s direction.
  • (WIDE DISTANT SHOT) Thanos snaps Loki’s neck, loudly and quickly
  • Loki’s body falls swiftly down before Thor

You might disagree with my specifics or have your own ideas. I’m no screenwriter. But in my scenario, Loki is not made to suffer, the audience doesn’t have to see a graphic depiction of strangulation AND Thanos is still shown to be stronger than the perceived ‘reigning’ MCU Villain. Also, by utilizing the stones or making reference to their impacting the fight against Loki, you’re not inexplicably stripping Loki of his hitherto demonstrated wide array of tricks.

Did I seriously just say hitherto demonstrated?

Agreed, with one correction: Loki’s largest-scale villainy was the attempted destruction of Jotunheim. We don’t know how many Jotnar were actually killed, but we do see the impact of the Bifrost breaking up the ground and causing structures to collapse like a massive earthquake, and we see Jotnar screaming and running from the spreading destruction. But of course no one in the MCU mentions that again – it’s all about Loki’s attack on Earth – because they don’t really want us to care about Frost Giants; if we did, we might place more weight on the wholesale slaughter that *Thor* perpetrated at the beginning of the movie. But that wouldn’t do; they need Thor to be completely absolved of previous sins so he can assume Unproblematic Hero status. Meanwhile, nothing Loki does to save various worlds can make up for his earlier crimes.

NB: I don’t hate Thor, I don’t think he’s evil, I don’t think it’s bad that he (or Tony Stark, or Wanda Maximoff) can be considered a hero after having done terrible things. I’m also quite willing to grant that Loki’s record is worse than Thor’s. But no one even mentions Thor’s unwarranted aggression again (except that “In my youth I courted war” line – that was LAST YEAR, ffs), while the “villain” label, and apparently the inevitable fate of a villain, follows Loki forever.

#it’s been over a month#i’m still angry at the meaningless brutality of his death#that is not how you dispose of one the most three-dimensional characters#that the mcu has had the privilege of portraying#but whatever#the directors don’t care one jot about loki#all they care about is their ‘sympathetic’ new baddie

Same, @saygoodbye-not-thisday​. And I still think they wanted to dispose of Loki as quickly, brutally, and humiliatingly as possible as a kind of revenge: they couldn’t stand that this morally ambiguous, unconventionally masculine character is more popular and attracts more female interest than Thor, their approved male power fantasy; and they probably think the silly Hiddleston fangirls (who are too immature to go for one of the Real Men they’re selling) are bad for Marvel’s image (though of course they’ll take our money before punching us in the gut).

Thor’s character development and types of morality

@foundlingmother, I’m making this a separate post instead of reblogging because this is getting well off the trail of the original post and I don’t want to keep dragging poor writernotwaiting into it. Here is the thread of discussion and here’s what you said in your reblog:

That’s an interesting distinction between compassion and respect. I think I would say, taking into account @illwynd‘s explanation of the ways Thor shows that he’s compassionate, or at least trying to be, that part of Thor’s character growth may be that he feels worthiness is tied to, to use the Nietzschean terminology, a slave morality (the contrast between being a good man and a great king, for instance).

That might be some of what’s going on; Thor is probably picking up some (post-)Christian moral ideas from all the Western-educated humans he’s hanging out with. And of course I don’t expect most of the MCU writers to have a very thorough understanding of when certain moral ideas developed and where they came from. So of course to most writers and audiences, “becoming morally better” is going to be more or less synonymous with “becoming more selfless and altruistic.” That said, a noble value system certainly doesn’t preclude caring about other people, and the kind of narcissistic selfishness we associate with people like Trump is still an ignoble mindset, a way of being bad or contemptible according to noble value systems like those of ancient Greece or feudal Europe.

As I’ve said before in discussions of various philosophical issues in the MCU, I think the “good man vs. great king” issue is actually more about deontological vs. consequentialist modes of moral reasoning (I discuss the contrast a bit in this post on Thanos and Ultron and a bit more in this follow-up; apparently I also touched on it in this weird exchange). That’s a distinction that mostly comes up within what Nietzsche calls “slave morality” – the standard examples are Kantianism and utililtarianism, both of which are secular adaptations of Christian morality – but it can actually cut across the slave vs. noble morality distinction. So there can be deontological or consequentialist ways of implementing a noble morality. The reason I think that’s what Thor was talking about is this line: “The brutality, the sacrifice, it changes you.” I think what he had in mind was Odin’s willingness to sacrifice many Asgardian lives (and Malekith’s willingness to sacrifice most of his people) for the sake of victory. The reason this is relevant to ruling is that when you’re making decisions about large numbers of people with different needs and interests, you’re always going to have to trade the well-being of some for the well-being of others. I think we all saw the stupidity of Steve’s “We don’t trade lives” claim in Infinity War, because he was trading lives: in order to buy time to save Vision, he knowingly risked a whole bunch of Wakandan lives. In trying to keep his deontologist conscience clean, to remain “a good man,” he just hid from himself that he was being a bad leader making an indefensible trade, sacrificing many lives for one instead of vice versa.

This got very long, so I’m putting most of it under a cut.

A note on terminology, because it’s clearly very loaded: the “noble” and “slave” labels on moralities/value systems refer to whom the value system ultimately benefits. A noble value system is posited and maintained by the noble class (which may be either a knightly or a priestly caste) and works to justify and preserve their dominant position in society. A slave value system may or may not be invented by the lower classes of society (Buddhism, which counts as a slave morality in Nietzsche’s sense, was invented by a prince), but it definitely works to their advantage, because it protects the vulnerable and promotes social equality. The terminology is unfortunate in a context where the word “slave” immediately brings to mind the American system of Black chattel slavery; that is definitely not what Nietzsche had in mind. He was a classicist before he became a philosopher, so he’s usually thinking about slavery in the ancient world as well as serfdom in pre-modern Europe. This is definitely unorthodox, but I’m going to start using “serf morality” instead of “slave morality” to avoid irrelevant racial connotations.

The main difference between noble and serf morality, on the issue of caring for and helping others, has to do with the way you think about the obligation to do so. The type of serf morality that Nietzsche calls “the morality of compassion” or “the morality of suffering” says that you have an obligation to relieve all suffering, and to care about all others who suffer. (Sometimes an exception is made for those who make others suffer and you’re allowed to hate them and want them to suffer; sometimes you’re supposed to pity and help them too.) You’re supposed to make the happiness and/or well-being of other people your primary goal in life, and you’re supposed to care about everyone, regardless of their relationship to you. Some forms of (post-)Christian morality permit you to prioritize people to whom you have special relationships (family and friends), but the purest form of this morality requires you to care about everyone equally, and ascetic or monastic Christianity discourages forming special relationships because that will inject an element of selfishness into your desire to benefit certain people. The purer forms of this morality – philosophical Christianity, with or without God – also consider the salvation of one’s own soul to be an unacceptably selfish motivation for helping others. Ideally, everyone’s entire motivation is to eliminate the suffering of others, not because of anything particular about them or their relation to you, but simply because they exist and they suffer. The morality of compassion is universalistic, egalitarian, and outward-focused.

Noble value systems allow agents to be selective in whose well-being they care about. Special relationships are extremely important. Traditionally, this usually means family relationships and comradeship-in-arms because aristocratic societies have conventionally been very heredity-focused and martial. But it also includes what Aristotle scholars call “character friendships”: friendships formed with kindred spirits because of mutual admiration for each other’s qualities and abilities. The standards of a noble morality only apply to a small class of people, namely, the nobility; it’s largely silent on how non-nobles should behave, and different versions have different rules about how nobles should treat non-nobles. Respect is reserved for other nobles, but some noble moralities, especially medieval hybrids of Christianity and Roman/pagan noble morality, also encourage benevolence, generosity, and forbearance toward commoners. Under certain circumstances, nobles can be obligated to care about the well-being of certain non-nobles, but it’s virtually always a matter of regarding them as your own, as your responsibility. Lords are supposed to care about the commoners who live in their lands and are obligated to protect them and provide for them; Christian knights are supposed to care about other Christians. In the ideal city described in Plato’s Republic, the guardians (the warrior class) are compared to guard dogs who are friendly to their master’s family but hostile to strangers. Their responsibility is to all the citizens of their city, even the lower-class ones; to that extent, all citizens are their own in the same way family members are. Caring for others in noble moralities is selective and is always a matter of regarding certain others as an extension of oneself and, therefore, regarding their well-being as part of one’s own well-being. Noble moralities also don’t preclude sacrificing yourself for others – that would be very silly in a warrior’s code of conduct – but self-sacrifice is not selfless when you’re sacrificing a part of yourself (your life, your body) for another part of yourself: the people who matter to you, your family, your comrades, your countrymen. There’s also the understanding that those who sacrifice themselves in such a way will be remembered and honored; you exchange a brief life for long-lasting glory.

(To be clear: Nietzsche was not in favor of going back to a Homeric-style warrior noble morality; he was very aware of the many cultural changes that have made that both impossible and undesirable, mostly involving the internalization and intellectualization of human life and activity. He was imagining communities being constructed and battle lines drawn on the ground of ideas, not geography or ethnicity, which can no longer defensibly be said to have the significance they once did. Nationalism, he thought, was a spasm of an outdated worldview. But he also questioned the value of selflessness and wondered about the end goal of a moral system whose primary motivation is the alleviation of suffering.)

So… I’m not sure if Thor’s moral improvement was a matter of moving toward serf morality or just becoming a better representative of noble morality. I definitely think Odin’s goal was the latter. “Humility” considered as an absolute value, as in the more of it the better, definitely belongs to serf morality, but there is a place for humility as a balancing quality in noble morality: Aristotle places magnanimity, or “greatness of soul,” as the virtue at the mean between vanity or arrogance – claiming more honor than you deserve – and an excess of humility or “smallness of soul,” which is effectively meekness, laying claim to less honor than you actually deserve. Thor was arrogant and vain; he invited adulation, he overestimated his own abilities and (as we saw in the deleted scene) the amount of credit he deserved for victories he shared with others. He needed to be shown that he isn’t invincible and that he sometimes has to rely on others, but the goal wasn’t for him to become self-effacing. His maturation also involved a greater awareness and sensitivity to the needs of others: contrast his complete obliviousness to the danger his friends are in during the Jotunheim battle with the slow-motion sequence in the Puente Antiguo battle where Thor looks around and really takes in how much his friends are struggling. That – along with his acknowledgment that he might have done something to wrong Loki and his attempt to apologize – might be considered an increase in empathy and/or compassion; in any case, it’s definitely doing a better job of caring for the people with whom he has a relationship, and for whom he is responsible. Making friends in Midgard does seem to have done something to widen the scope of his compassion and/or benevolence, since he now sees a problem with wiping out the Jotnar.

writernotwaiting:

philosopherking1887:

pinknoonicorn:

writernotwaiting:

writernotwaiting:

I’m not quite sure why I feel compelled to make this declaration, though it may be vaguely related to posts I have seen floating around making statements about Loki and/or Thor that just flat out seem to defy logic. So here are a couple of short lists.

1. Things that are true in my head:

·       When we first meet Thor he really would have made an awful king.

·       Thor is not a dumb jock. He is intelligent, but at the start of the first movie he is really arrogant and lacks both empathy and the willingness to think about the long-term consequences of his actions.

·       That Loki was marginalized by Thor’s friends but not flat-out bullied. That for years he was the annoying little brother who they really didn’t want around but who wouldn’t leave. (As a little sister who grew up in a neighborhood where there were no other little girls to hang around with, I know exactly what it looks and feels like to be Big Brother’s Tag-along).

·       When Loki tells Thor that Odin is dead, it’s bc he still thinks Thor would be a horrible king and wants to make sure he stays on earth.

·       When Loki sends the Destroyer after Thor, he has no reason to believe Thor has changed at all. 

·      When Loki sends the Destroyer to eliminate Thor, Loki has also kind of started to go off the rails with self-loathing and is Not Thinking Rationally, and at this time he really did intend to inflict serious, permanent damage. Frigga really should have recognized this and shaken Loki by the collar. I am not sure why Marvel chose to portray Frigga so passively here. She is a an objet d’art in this movie, which is unfair to her character.

·       Loki fully intended to commit suicide when he let go of Odin’s spear, both bc of his perceived rejection by Odin and his internalized racism.

·       Thor really does love his bro and showed amazing self restraint in not pulverizing him when they fight on the Bifrost, esp bc he has no idea why his little brother is acting like a psychopath.

·       Thanos tortured Loki before sending him to earth (come on! look at that after credits scene with Selvig!).

·       When Thor initially shows up in the first Avengers movie, he was totally ready to take Loki back to Asgard and give him All The Hugs.

·       Loki would have taken All The Hugs had he not been scared shitless of Thanos.

·       When Loki dropped Thor from the helicarrier and when he stabbed him, his aim was to incapacitate Thor not kill him. Loki never believed anything he did would cause more than minor injury Thor (c’mon—that tiny little dagger? That’s like an Asgardian mosquito bite; plus, he probably thought Thor would get stuck in that glass cage long enough to stay out of the way–I will never be convinced that Loki believed the fall would be fatal).

·       Loki fully expected to lose the battle in NY and honestly figured being in jail on Asgard was the safest place to be.

·       Odin is a dick.

·       Loki really did get run through by Kurse’s blade trying to save his brother’s life. (and honestly this is the movie where I pinpoint his redemption arc, and I think that giving him a redemption arc in Ragnarok was redundant)

·       Loki really did almost die.

·       Loki disguised himself as Odin in order to hide from Thanos.

·       A couple of years in a nursing home would in no way hasten Odin’s death nor did Loki intend it to, though I’m sure Loki took great delight in the seeing his all-powerful dick of a father reduced to being spoon fed by someone who used baby talk (“Open wide, Mr. Borson! We don’t want your tummy to get upset when we take our medicine!”).

·       Thor is still not a dumb jock, but he is now capable of introspection and occasional outburts of humility. Jury’s still out on empathy, but I’m willing to be convinced.

2.    Things in my head that I hope are true:

·       That before Thanos showed up Loki and Thor at least talked about the fact that Loki took a big ass sword right through his sternum.

·       That they really did hug.

·       That Tony and Loki get shit-faced drunk together at some point and bitch about their shitty dads.

@foundlingmother–I’m not entirely sure I would call MCU Thor compassionate, because I think in order to feel compassion, one has to first be able to imagine what it’s like to be someone else, and as I said, I’m not entirely convinced Thor has developed much capacity for empathy. I’m thinking particularly in Ultron when Banner is traumatized over the destruction caused by the Hulk, and Thor goes all Viking warrior about the screams of the dead. Not so empathetic. (though, as I said, I am willing to be convinced if some one wants to take up that discussion).

I would say, however, that Thor has an incredibly strong senses of duty, honor, and obligation. That’s why he’s polite when he’s really supposed to be (hanging up Mjolnir when he goes to Jane’s apartment like the good boy his mother raised). That’s why he works so hard to save Asgard from Hela–it’s his duty.  That’s why he finally gives in and agrees to be king–obligation.

I would also repeat that he really loves his brother, dammit, and no one can convince me otherwise. So I think you are absolutely correct, @lola-zwietbeste, there is no way Thor knew that Loki had been tortured when he dragged him back home in chains. And even though he was a dick, I don’t think Odin knew, either. Certainly they would both have felt honor bound to revenge Loki’s torture as a slight against family and realm, though it is bit odd that no one thought to do a little bit of forensic investigating. Again, Odin=dick.

@writernotwaiting not one single thing here I disagree with. So refreshing to see rationality in this fandom.

I agree with @writernotwaiting on virtually all of this, except for two minor points:

1. I do think that it is partially accurate to say that Loki was “bullied” by Thor and his friends. I base that claim entirely on things we actually see in the movie and in the “Never doubt that I love you” deleted scene that we all accept as canon (so nobody go off on me about it having been deleted). Nonetheless, I do not hate them or entirely blame them for this. Consult my explanations at the bottom of the threads here and here.

2. I think that throughout the movies before Ragnarok, Thor is working on developing… sympathy, if not empathy. He slips up every now and then; he doesn’t really get why someone would be distraught over having killed enemies, but he catches on when Steve and Tony signal that he’s saying the wrong things and tries to backtrack. There’s something a bit incongruous about expecting someone from a warrior culture like Asgard to feel compassion, to treat someone else’s suffering as one’s own. As ever, I find Nietzsche’s contrast between noble and slave values enlightening: compassion and the imperative to relieve suffering are very distinctive of slave morality; of course Thor is driven by honor and duty – and respect for those he regards as his peers (if not his equals), including the human Avengers. Respect involves being aware of someone’s feelings, taking them into account, but also holding the person to the standards you accept for yourself – which explains why Thor flips out on Tony about the Ultron situation.

Finally: as you know, because I’ve said it a lot, I don’t think the version of Thor we see in Ragnarok, whom I call Thor* to mark the difference, is the same character as the Thor we see in Thor 1 through Age of Ultron. For that reason I think it’s misleading to try to track a development through Ragnarok and (to a lesser extent) Infinity War. It would be like trying to draw conclusions about the character of Thomas Jefferson from his depictions in 1776 and Hamilton (for the musical nerds out there…). The fact that different writers are involved isn’t necessarily prohibitive, because comics series can go through a number of different writers without losing continuity; it’s about whether the new writer respects the characterization that has been developed by previous writers and builds on it in a psychologically realistic way.

I think perhaps I’ll forgo a discussion of Ragnarok here, as I suspect it would rapidly devolve. There are quite a few things I see as problematic about it, but many other things that I quite liked, so we can save that for some other time.

@illwynd I think offered a very nice comment on the issue of compassion, but I think you’ve already seen that. I might quibble about how or in what way certain values and their expressions overlap. Compassion is not empathy, but it could still be argued that empathy is a prerequisite for compassion. And far be it for an English major to argue with Neitzsche, but I don’t see respect and compassion as mutually exclusive.

However, these are, arguably, differences only in the nuance of terminology rather than differences in substance. Thor is (again as illwynd points out) not static (ooh, I made an electricity pun! lol)—he is constantly trying to be better. He is (to completely misuse another philosopher) neither being nor not being—he is always becoming.

You’re right that a discussion about the quality of Ragnarok would probably rapidly devolve, but I bring it up because it’s not irrelevant to the disputes about Thor’s character and his regard for Loki that have been going around. People on both sides have been talking as if TRThor is continuous with pre-TR-Thor and I think that’s the source of some of the confusion: Loki stans treat Thor’s behavior in TR as evidence that Thor was always an abusive bully and never cared about Loki’s well-being; Thor stans treat how obviously Thor cares about Loki in previous films as evidence that he still shows genuine love and concern for him in TR. I’m wondering whether, if we carved off TR, there would be more agreement about Thor’s growth from where we see him at the beginning of Thor 1 and his imperfectly expressed but sincere love for Loki from Thor through TDW.

I had a discussion with @illwynd (also relevant to @foundlingmother‘s reblog) and we agreed that we have somewhat different understandings of “compassion.” I tend to align it more closely with both empathy and pity than some people do, largely because of the way it’s used to translate the German word Mitleid: literally “with-suffering” (or, more intuitively, “suffering with”), which is the direct translation of the Latin components of compassion. The etymology is going to be a lot more obvious to German speakers than to English speakers, since Mitleid is made up of two ordinary German words, so it makes sense that the English word has lost some of those connotations. If, in general, compassion is being used to mean “caring about someone else’s well-being,” “wishing others well,” “benevolence,” etc., I definitely agree that Thor has that in spades – and that he’s a work in progress, even as late as AOU, and that’s part of what’s so endearing about him.

The point was not that respect and compassion are mutually exclusive; it’s just that they represent different impulses, different ways of regarding your obligations toward others. In a noble value system, respect is given sparingly, only to those you have judged your equals; in some Christian-derived value systems, such as Kantian ethics, you owe respect to every human being simply in virtue of their being human. Respect is about regarding the other as an agent, as someone who has intelligible goals and does things for reasons; compassion is more about regarding the other as a patient, as someone who feels and suffers. Given how deeply feeling is interwoven with our desires and motivations, they can’t be so easily teased apart… Maybe I think of respect as involving holding someone else a little more at arm’s length, recognizing the reality and the importance of their needs and goals to them, but not making them your own, and definitely not assuming you always know what’s going on with the other person or how they feel about their situation. Thor’s failure to ask Loki his reasons for his bad actions was a failure of respect as much as of compassion.

pinknoonicorn:

writernotwaiting:

writernotwaiting:

I’m not quite sure why I feel compelled to make this declaration, though it may be vaguely related to posts I have seen floating around making statements about Loki and/or Thor that just flat out seem to defy logic. So here are a couple of short lists.

1. Things that are true in my head:

·       When we first meet Thor he really would have made an awful king.

·       Thor is not a dumb jock. He is intelligent, but at the start of the first movie he is really arrogant and lacks both empathy and the willingness to think about the long-term consequences of his actions.

·       That Loki was marginalized by Thor’s friends but not flat-out bullied. That for years he was the annoying little brother who they really didn’t want around but who wouldn’t leave. (As a little sister who grew up in a neighborhood where there were no other little girls to hang around with, I know exactly what it looks and feels like to be Big Brother’s Tag-along).

·       When Loki tells Thor that Odin is dead, it’s bc he still thinks Thor would be a horrible king and wants to make sure he stays on earth.

·       When Loki sends the Destroyer after Thor, he has no reason to believe Thor has changed at all. 

·      When Loki sends the Destroyer to eliminate Thor, Loki has also kind of started to go off the rails with self-loathing and is Not Thinking Rationally, and at this time he really did intend to inflict serious, permanent damage. Frigga really should have recognized this and shaken Loki by the collar. I am not sure why Marvel chose to portray Frigga so passively here. She is a an objet d’art in this movie, which is unfair to her character.

·       Loki fully intended to commit suicide when he let go of Odin’s spear, both bc of his perceived rejection by Odin and his internalized racism.

·       Thor really does love his bro and showed amazing self restraint in not pulverizing him when they fight on the Bifrost, esp bc he has no idea why his little brother is acting like a psychopath.

·       Thanos tortured Loki before sending him to earth (come on! look at that after credits scene with Selvig!).

·       When Thor initially shows up in the first Avengers movie, he was totally ready to take Loki back to Asgard and give him All The Hugs.

·       Loki would have taken All The Hugs had he not been scared shitless of Thanos.

·       When Loki dropped Thor from the helicarrier and when he stabbed him, his aim was to incapacitate Thor not kill him. Loki never believed anything he did would cause more than minor injury Thor (c’mon—that tiny little dagger? That’s like an Asgardian mosquito bite; plus, he probably thought Thor would get stuck in that glass cage long enough to stay out of the way–I will never be convinced that Loki believed the fall would be fatal).

·       Loki fully expected to lose the battle in NY and honestly figured being in jail on Asgard was the safest place to be.

·       Odin is a dick.

·       Loki really did get run through by Kurse’s blade trying to save his brother’s life. (and honestly this is the movie where I pinpoint his redemption arc, and I think that giving him a redemption arc in Ragnarok was redundant)

·       Loki really did almost die.

·       Loki disguised himself as Odin in order to hide from Thanos.

·       A couple of years in a nursing home would in no way hasten Odin’s death nor did Loki intend it to, though I’m sure Loki took great delight in the seeing his all-powerful dick of a father reduced to being spoon fed by someone who used baby talk (“Open wide, Mr. Borson! We don’t want your tummy to get upset when we take our medicine!”).

·       Thor is still not a dumb jock, but he is now capable of introspection and occasional outburts of humility. Jury’s still out on empathy, but I’m willing to be convinced.

2.    Things in my head that I hope are true:

·       That before Thanos showed up Loki and Thor at least talked about the fact that Loki took a big ass sword right through his sternum.

·       That they really did hug.

·       That Tony and Loki get shit-faced drunk together at some point and bitch about their shitty dads.

@foundlingmother–I’m not entirely sure I would call MCU Thor compassionate, because I think in order to feel compassion, one has to first be able to imagine what it’s like to be someone else, and as I said, I’m not entirely convinced Thor has developed much capacity for empathy. I’m thinking particularly in Ultron when Banner is traumatized over the destruction caused by the Hulk, and Thor goes all Viking warrior about the screams of the dead. Not so empathetic. (though, as I said, I am willing to be convinced if some one wants to take up that discussion).

I would say, however, that Thor has an incredibly strong senses of duty, honor, and obligation. That’s why he’s polite when he’s really supposed to be (hanging up Mjolnir when he goes to Jane’s apartment like the good boy his mother raised). That’s why he works so hard to save Asgard from Hela–it’s his duty.  That’s why he finally gives in and agrees to be king–obligation.

I would also repeat that he really loves his brother, dammit, and no one can convince me otherwise. So I think you are absolutely correct, @lola-zwietbeste, there is no way Thor knew that Loki had been tortured when he dragged him back home in chains. And even though he was a dick, I don’t think Odin knew, either. Certainly they would both have felt honor bound to revenge Loki’s torture as a slight against family and realm, though it is bit odd that no one thought to do a little bit of forensic investigating. Again, Odin=dick.

@writernotwaiting not one single thing here I disagree with. So refreshing to see rationality in this fandom.

I agree with @writernotwaiting on virtually all of this, except for two minor points:

1. I do think that it is partially accurate to say that Loki was “bullied” by Thor and his friends. I base that claim entirely on things we actually see in the movie and in the “Never doubt that I love you” deleted scene that we all accept as canon (so nobody go off on me about it having been deleted). Nonetheless, I do not hate them or entirely blame them for this. Consult my explanations at the bottom of the threads here and here.

2. I think that throughout the movies before Ragnarok, Thor is working on developing… sympathy, if not empathy. He slips up every now and then; he doesn’t really get why someone would be distraught over having killed enemies, but he catches on when Steve and Tony signal that he’s saying the wrong things and tries to backtrack. There’s something a bit incongruous about expecting someone from a warrior culture like Asgard to feel compassion, to treat someone else’s suffering as one’s own. As ever, I find Nietzsche’s contrast between noble and slave values enlightening: compassion and the imperative to relieve suffering are very distinctive of slave morality; of course Thor is driven by honor and duty – and respect for those he regards as his peers (if not his equals), including the human Avengers. Respect involves being aware of someone’s feelings, taking them into account, but also holding the person to the standards you accept for yourself – which explains why Thor flips out on Tony about the Ultron situation.

Finally: as you know, because I’ve said it a lot, I don’t think the version of Thor we see in Ragnarok, whom I call Thor* to mark the difference, is the same character as the Thor we see in Thor 1 through Age of Ultron. For that reason I think it’s misleading to try to track a development through Ragnarok and (to a lesser extent) Infinity War. It would be like trying to draw conclusions about the character of Thomas Jefferson from his depictions in 1776 and Hamilton (for the musical nerds out there…). The fact that different writers are involved isn’t necessarily prohibitive, because comics series can go through a number of different writers without losing continuity; it’s about whether the new writer respects the characterization that has been developed by previous writers and builds on it in a psychologically realistic way.

can someone explain this plothole: loki tells the revengers that hes run out of favor with the grandmaster and in exchange for a ship, he wants passage through the devils anus. Then thor tells him in the elevator that this is a perfect place for you, lawless yada yadh and both agree that he should stay (even though 2 seconds ago he told thor he’s run out of favor with the grandmaster) did loki betray thor last minute so he can stay on Sakaar like Thor wants him to? did thor not even hear him

juliabohemian:

shine-of-asgard:

edge-of-silvermoon:

lokihiddleston:

.

They need Loki to betray Thor for no reason so they can stomp on Loki’s character harder, and give Thor a chance for grandstanding, what else is there to it? This betrayal literally serves no other purpose than give Thor the chance to deliver his “you can be more” lectures. It’s lazy and sloppy writing.

Waititi and Hemsworth wanted a scene of Thor triumphing over Loki as a “payback” for 3 movies or Loki outsmarting him, and they wrote… that. Whatever the hell it was. And it’s been proven that it was a last minute addition because the official novel doesn’t have this last “twist”. Loki leaves with everyone, willingly.

Could we just re-shoot the movie and have it like the novel? So it isn’t this ridiculous mess? Like did no one edit this film besides TW? Did anyone check for consistency or to be sure that it made sense? How does something make it all the way to the theater with that many mistakes?

This thread is missing the original answer, which was a screenshot of another anonymous ask:

“It’s not really a plothole. Loki has only fallen out of favor with the Grandmaster because he did not return with Thor and his champion as promised. But Thor/Valkyrie are staging a revolt with Korg. So once the Grandmaster is out of power, Thor knows Loki could take over. However, Loki decides that he could regain favor with the Grandmaster by giving him Thor and then probably Bruce. I think though that Loki partially chose this route because he honestly didn’t think that Thor stood a chance against Hela […] I think at least partially, Loki is trying to keep his brother alive.”

There is something to that… but I still think @edge-of-silvermoon and @shine-of-asgard​ hit the nail on the head. Not only were Loki’s last-minute betrayal and Thor*’s (this is not the same person as the Thor of previous films) ultimatum/electrocution combo not in the novel (which I haven’t read), but we have some indication from the trailers that they shot a version where Loki came in the small ship with the rest of the Revengers: the clips of him standing on the bridge in a row with Thor, Valkyrie, and Hulk, and that shot of Hulk punching him off the bridge like he did to Thor in The Avengers. The betrayal and subsequent smackdown were a later addition – probably by Waititi rather than the screenwriter (Eric Pearson), possibly at Hemsworth’s behest – and I suspect that they wanted three things out of it:

  1. To show Thor*’s “character growth”: he has learned not to fall for Loki*’s tricks and illusions anymore (I’m using Loki* because the motivation for the betrayal, which I still think is basically “shits and giggles,” is not in keeping with Loki’s established character).
  2. The famous “trickster tricked” narrative trope. That’s fine in and of itself; we saw it in The Avengers when Black Widow successfully pulls her “wounded gazelle” act on Loki and again when Hawkeye shoots an arrow at Loki, Loki catches it, and then the arrow explodes. We also saw it in TDW when Thor handcuffed Loki and then pushed him out of the Dark Elf ship onto the skiff. This version, however, is undermotivated and unnecessarily cruel, and I really do think the purpose was to assert Thor*’s superiority over Loki. It also gives us the completely unintended irony of Thor*, who has reverted to a cruelty and arrogance worse than that he was humbled for in Thor 1, lecturing to Loki, who has evolved quite a bit over the past 3 films, about the need for “growth and change.”
  3. As @endiness​ argued a while back: “i do legitimately believe that loki’s character was regressed in order to make thor responsible for loki’s character growth (rather than loki himself) to kind of prop thor up and have him come off as the better character […] loki’s character had to start out in ragnarok regressed (and far beyond where he was at the end of tdw) and passive, stay that way for most of the movie as most of his actions were dictated by other characters, and then only ‘change’ after and because thor prompted him to through reverse psychology.”

incredifishface:

lokiofasgaaaard:

incredifishface:

lokiofasgaaaard:

incredifishface:

fandom-and-feminism:

delyth88:

lokiloveforever:

leanmeanand-green:

I hate that during this scene the warriors 3 are basically trying to bully Loki, the current King of Asgard, into doing what they want him to do as always. They had clearly been nothing but disrespectful to him his entire life and I honestly wonder why Loki put up with it so long. Like, fuck them. And Loki baby, I am so glad you treated them in the most King-like fashion, never lowering to their level, and maintaining that poise and elegance that trademarks you as royalty and superior. Yet, I am proud of you for putting them in their place💚

“We’re done.” 👏🏼👏🏼👏🏼

Nothing but respect for my King 👑

<3<3<3<3<3

So something I’ve been wondering about ever since I saw the deleted scene where Loki is legitimately made king, is what did Sif and the Warriors Three think? Did they think, like the audience was meant to think, that Loki had seen his chance and just taken power and locked his mother away with Odin? Or do you think they believed what he said? If they thought he had stolen power unjustly and had hurt Odin and Frigga then their behaviour is more understandable. But if not then they were just being spoilt children.

I firmly believe that they thought Loki was a usurper. That Loki saw his chance and seized it. It looks to an outsider that all of the events of this movie were a carefully planned coup to get rid of Thor, when all it was was a bad prank gone awry and Loki adapting to it in a way that protected him. (I’m not defending his bad choices, don’t get me wrong.) Loki had no idea Odin would go into his Odinsleep. Loki didn’t know Odin would banish Thor for attacking Jotunheim. Thor was constantly reminding Loki of his “place” – Loki felt as though he had extremely limited influence on any situation that involved his brother and would do anything for Thor’s approval, so he went along. Frigga knew who and what Loki was, and still gave him Gungnir and the throne. Loki was king by his own right, and not a usurper.

…bullying him???

*facepalm*

Well, maybe not “bullying”. But disrespect him as new king, like it was all a joke. Sif was about to slap him if I’m not mistaken. And that laugh from Volstagg when he says the word “king” is mockery. Maybe that’s a better word…

it’s a vastly different thing, and something tells me they would have taken the mickey out of Thor too if it had been him. Those looks at Thor’s coronation are the kind that promise the King of Asgard is going to be put in his place by his mates after the coronation, lest he should forget he’s still just Thor.

As for Loki, finding HIM on the throne comes to them as a total shock, but when they realize it’s serious, they do the kneeling and “my kinging” thing as due, if unsettled by the new turn of affairs. No disrespect at all once they are convinced is not a joke. Then of course they are further unsettled when they request Loki to allow Thor to return and Loki gives an answer that disturbs them and furthers their notion that something is very wrong here, which it absolutely is. 

As for Volstagg specifically, the man laughs at everything, and he also says the “silver tongue turned to lead” quip, but he was the first to jump to Loki’s defense when Hogunn suggested he might be the one behind the frost giants in the throne room. No, wait, I think Fandral is the first.

Sif doesn’t like Loki and he doesn’t trust him, and the roots for that animosity can be argued to come directly from myth, but personally from sir Ken’s editing choices I think there’s a huge element of jealousy there i wonder why , and Hogun I have no idea but in any case his suggestion that Loki might be behind the frost giant thing is 100% right, so you can argue this is a case of prejudice against Loki, that Hogunn is always ready to think the worst about him (but we don’t have ANY other indication about that in the MCU, not a lot of interactions between Hogun and anyone to be able to tell), but you could just as well argue this is… intelligence, insight, the ability to read a person beyond the screens he hides behind. 

I insist the whole notion that Loki is bullied by Asgard, Sif and the Warriors 3 is not a fair assessment of the situation as described. 

I think Loki does feel like nobody likes him and that he doesn’t fit, and he’ll find confirmation of that wherever he likes, because that’s what his type of mentality breeds. But that’s on Loki and his mental problems. 

what I see in that throne room is the very disturbing notion of all that power suddenly bestowed on a highly perturbed man who’s just discovered a terrible truth about himself, and hasn’t told anyone about it, on the back of a serious upheaval in his family. I see a tyrant in the making, uptight as fuck, on the defensive from the first moment bc he’s ready to be confronted (rightly so, his hold on power is extremely weak, and he must be feeling guilty af about what happened to his father, not to mention the Jotun thing), and he acts in a way that is making everybody very fucking nervous. That scene is meant to describe precisely that. The Villain is in Power, the Good Guys are in Danger. The Warriors 3 and Sif are very fucking right in feeling suspicious and concerned about Thor’s fate, and their own. There’s something fishy there, and Loki is not to be trusted, but feared, with power already gone to his head. Not ideal in a new king.

ABSOLUTELY 100% FUCKING RIGHT. 

no bullying anywhere.

I think the interpretation of the scene varies if there are different headcanons involved. I like that about the MCU – the films are made in a way that is ambiguous and open to interpretation. If you include the myth or not, if you have some simliar experiences yourself or not, defines what you see and the scene is open enough for all those perspectives. This is the source of all those glorious fanfiction 🙂

What I’m trying to say is, that it is totaly valid to see Loki as harrased, bullied or else here if you depicture the relationship between him and the warrior’s three/sif until now as a Thor-centric where Loki has always been the loser who is just allowed because he happened to be Thors brother. But your points are totaly valid and interesting too 🙂

you’re right. the way I put it, it sounds as if I think there’s no room for interpretation, and of course there is. Having said that, there is a place for headcanon and interpretation, but canon is also there. You can’t claim black was white and say that white is canon. You have to substantiate your interpretation on something that other people can see too, or you’re just making things up, and we’re playing a different game. In other words, you’re free to make up a verse in which Loki was a perfectly wholesome and adjusted boy who was bullied and mistreated so much by Thor and the Warriors 3 that he ended up suffering a complete breakdown and so became a genocidal maniac, but that’s not canonverse as we are shown it. 

And I certainly cannot share the view that what we are shown in that scene amounts to any form of bullying. Not the way I understand the word, anyway. As for disrespecting the king, I disagree entirely too. The jokes end very quickly, the moment they realize that Loki somehow is truly officially king, and that it’s not a prank. They request respectfully in respectful words and tone that he let Thor return. Whether or not that respect is heartfelt is another thing. 

Personally, I think it is. Among other things, because respect is something you earn, and Loki doesn’t start on the right foot, making suspicious things more suspicious with his decision to keep his brother away (a cruel punishment according to all of them, Loki included) which is indeed very very suspicious if Loki loves his brother as much as he claims, and if Loki’s place on the throne is as clear and strong as he makes it to be, in which case he should have nothing to fear from Thor’s return (and indeed when Loki goes to see Thor on Earth, Thor humbly accepts his removal from the throne and Loki’s rule and just asks to come home). Their friends know them both. If things were all right, if Loki was not up to something, he could easily let Thor return, no problems. Any of the warriors 3 or Sif in Loki’s place would do it, and the reason Loki gives for not doing would always sit wrong with them, first because it’s a big fat lie, and second because among their group, politics shouldn’t go above friendship. For some reason, Loki’s keeping his brother away, and they won’t stand for that. Which is what heroes do, even if you love Loki very very much and feel for him a lot. Fair is fair.

…and maybe I should leave this here? I ramble.

FWIW, I think we are intended to read Loki’s treatment by Thor, the W3, and other Asgardians as (not entirely deserved) bullying. It’s most obvious in the deleted scene, when Thor says “Some do battle, others just do tricks” and the servant laughs: even the lowest-status Asgardians look down on Loki’s magic and think he’s not a “real” warrior. Loki’s reaction is petty and might be construed as bullying itself, since he’s in a position of power over the servant, but that’s character-appropriate: Loki is not one to turn the other cheek, and there’s a satisfying irony in seeing the person who laughed at how pathetic his “tricks” are unnerved by those same tricks. No one is behaving well here, but you can see how the constant grating of underestimation and quiet snickering behind his back would fray Loki’s nerves and push him into occasional cruelty. Not to mention that in a hierarchical society like theirs, it’s extremely inappropriate and galling for a servant to mock a prince.

I also think we’re supposed to interpret the “Silver tongue turned to lead?” comment as unkind. I got that impression just from the actors’ performances – there’s something cold in the delivery of the line, and Loki’s (Tom’s) facial expression and body language in response to it is pained – but there’s also evidence in the script: the direction before the line is “Volstagg walks beside the frustrated Loki, needles him.” My sense of the word “to needle” (reinforced by checking some online dictionaries) is that it’s not friendly teasing. Now, in the online script, Volstagg’s remark is followed by a nasty retort from Loki – “Get me off this bridge before it cracks under your girth” – and “Volstagg and Fandral share a laugh.” I’m not sure how to interpret that (Loki can dish it out but can’t take it?), but I think there’s a good reason that response was cut. Well, two good reasons: one is that it’s unnecessary fat-shaming; but I suspect the other reason is that we’re supposed to get the sense that Loki doesn’t quite fit in with Thor’s group of friends, and it would be less clear if we saw him giving as good as he gets.

The overall impression I got is that Thor’s friends, and often Thor himself, think of Loki as Thor’s weird tag-along little brother and kind of tolerate his presence without actually liking him. Part of that might be because they’ve been the targets of the “mischief” we’re told about, but the conclusion I drew from the “some do battle, others just do tricks” bit was that they also don’t entirely respect or trust him because of his use of magic. He’s not the prototypically macho Asgardian warrior; he’s a little effeminate, he’s a nerd where Thor & co. are jocks. And we see that Thor & friends aren’t always nice to him, which includes Volstagg’s comment and the way Thor cuts him off when he’s trying to negotiate with Heimdall and snaps “Know your place, brother” when Loki tries to talk sense into him in Jotunheim. I also inferred from the staging and the body language that this isn’t unusual: the way Loki tends to stand a little apart from Thor’s friends and hold himself slightly stiff; the way he looks down and his mouth tightens when Thor interrupts him on the bridge, keeps standing there looking humiliated as Thor et al. walk past him and Heimdall, looks hurt when Volstagg makes his snide remark and continues to hang back.

So I think everyone is getting something right and missing something about what happens in the throne room. Yes, Sif and the W3 are disrespectful; they don’t seem to believe that Loki inherited legitimately, Sif says “my King” in a defiant and mocking way, Volstagg is laughing half-nervously and half-disbelievingly when he starts making an obsequious plea for Loki to “reconsider.” Their mistrust and disdain aren’t completely unjustified, but I think Loki’s previous behavior doesn’t warrant it to that extent. Loki is also acting suspicious, saying some weird authoritarian bullshit about “continuity,” and enjoying his new power over the people who always looked down on him. Part of the reason Loki is “a tyrant in the making, uptight as fuck, on the defensive from the first moment bc he’s ready to be confronted” is because he’s used to being disrespected; it’s no wonder that, especially given the recent upheaval in his life and family, the power starts going dangerously to his head. No one is completely in the right or completely in the wrong – which is what makes this movie so complex and interesting: its villain is sympathetic and understandable, its heroes are flawed.

saygoodbye-not-thisday:

philosopherking1887:

saygoodbye-not-thisday:

juliabohemian:

saygoodbye-not-thisday:

You know, I get all the criticisms of Ragnarok, I see where they are coming from, I agree with a number of them, and they’re all valid even if I don’t agree with all of them, but…

I just wish there was a little more positivity around the film… for instance, I would love to read some in-depth positive discussion around it, because I personally enjoyed it, I think it did some new interesting things with the direction of Thor and Loki’s relationship and characters and I don’t think it butchered their characterizations. I do think that the style feels like a radical departure from the previous films, and that humorous style in which the narrative was painted jarred at times with the emotions it conveyed.

Most of the positivity I see on Tumblr tends to come from more pro-Thor, anti-Loki blogs (which I care absolutely nothing for) or from shippy blogs. Among the blogs I tend to relate more to (more gen-focused and Loki-supportive) the only discussion I can seem to find is discourse on how bad Ragnarok was. Which, again, I can understand, but at times it’s just a little downing.

I don’t like to be a downer, because I totally understand how it feels to be looking for positivity and coming across negativity instead. I consider myself to be more analytical than negative. Unfortunately, analysis can often result in pointing out the negative aspects of something.

However…I think I can explain why it is that you notice positivity coming from the pro-Thor anti-Loki blogs. Simply put -there’s a reason why people like the things that they do.

Thor appeals to a certain kind of person. More specifically, the manner in which he’s been characterized appeals to a certain kind of person. And that is the kind of person who finds movies like Ragnarok amusing. Thor is not a deep thinker. He’s not stupid by any means, but he’s not introspective. He’s not intellectual. And there’s nothing wrong with that. That’s just who he is. He’s a physical guy, for the most part. He’s a jock. He acts based on gut instinct. He doesn’t look below the surface of things. He sees no need to. He’s ego driven. And thus -he appeals to people who function similarly. The protagonist electrocuting his no good brother? That’s hilarious. Using the no good brother as a battering ram? He had it coming, of course. He’s no good. Duh!

To be perfectly honest, if one doesn’t dig TOO deeply, Ragnarok is a very entertaining movie. It’s visually stunning. The music is great. The dialogue is witty. If you completely disregard the established canon for the characters and don’t think too deeply about the implications of anything they are saying or doing, the movie is great fun. Thor fans are looking for what is explicit and Ragnarok is full of it.

Now -Loki fans are the opposite of that. They are deep thinkers. They take things very seriously. They want to to know the WHY of everything. They are largely made up of people who know what it is to be rejected and despised, or at the very least, to feel different. They see the pain that is unspoken. Behind every one of Loki’s words or actions, they see the contributing trauma. They see more than what is shown. Loki fans are always looking for what is implicit. Give them a film directed by a Shakespearean actor like Sir Kenneth Branagh and they will are happy as a pig in shit.

So, Ragnarok is not without merit. But you’re not likely to find many die hard Loki fans who don’t have at least some criticisms of its treatment of their favorite character.

I think maybe my calling certain blogs “anti-Loki” is a bit strong, through they are definitely pro-Thor. I don’t believe that people who prefer Thor are necessarily more shallow or less introspective, or that people who prefer Loki are deeper thinkers. It feels too much like generalizing and slapping a label on people. I have encountered a number of intelligent analytical people who loved Ragnarok and who also see Loki as a complex character more than a villain and who are pro-Loki AND pro-Thor (What do I even mean by pro-Thor? I guess I mean that they didn’t see Thor’s actions/characterization in Ragnarok as mainly problematic). I wish there were more of those people.

I’m not saying I want to see zero criticisms, I’m saying I want to see some other discussion mixed in as well. A lot of the problems Loki fans on here have seem to be with Ragnarok dismissing Loki’s past sufferings, experiences and depth as a character, when I don’t feel it did that. I feel like Loki changed and grew in this film, as he does in every film he has appeared in. To say that Loki has been moving beyond his past pain and trauma is not the same as belittling those experiences, even if I agree that it is easy to read the film as saying that Loki should “just get over it.” And that is one legitimate interpretation of the film, but it is not the only one, and it is not mine. I take issue with the concept that, if you can move on in any way from your past pain, if you can get better, then your pain and struggles must not have been real in the first place. It’s invalidating. That kind of thinking has got me stuck a long time before. It has got many people who suffer from mental illness stuck.

I appreciate Loki in Ragnarok, because he has clearly done some healing for himself in the interval, has started being willing to discuss some of what he went through (in the play and in his convo with Thor in prison), some of the sharpest pain has worn off, but he is still recovering, still struggling with how exactly to move on from it and who exactly he is in the aftermath. This is not unusual for those who have gone through trauma/mental illness, this is part of the recovery period where they are looking to build their life back. 

Loki was afraid to confront Hela, which has been criticized as a cowardly characterization of the character – but I disagree. Fear is not cowardly, fear is a survival mechanism. Loki in the Avengers and in TDW would probably have thrown himself recklessly into the fight, regardless of the odds (and in this case I’m certain the odds are that Hela would have easily defeated them both and Loki KNOWS the odds because he isn’t actually stupid), because he was self-destructive and didn’t truly care about his life. In contrast in Thor 1, before he learns the shattering truth and even before he gives up all hope on the Bifrost, Loki clearly favored non-confrontational methods first, as on Jotunheim when he preferred to placate rather than provoke Laufey. In moving past some of his self-destructiveness, Loki is in a way going back to who he was before. There was nothing to be won from confronting Hela then and there, what he couldn’t account for in his panic was her following.

In my opinion, Loki was seeking his sense of direction in this film. He has overcome some of his past self-destructiveness, but without yet having a clear idea of where to go from here. Like I said, he’s been recovering, it’s a tenuous period where he is rediscovering and redefining himself, he’s going back and looking at his memories and taking back his own narrative – where he was once “the monster that parents tell their children about,” he chooses to be the “savior of Asgard” – but it’s a process and he was just not ready yet to confront Hela and save Asgard.

Loki says “Take US back” which means him AND Thor, and this is key. Loki was trying to get Thor to stay on Sakaar, and I’ve discussed this before, but I personally think Loki’s main, selfish goal throughout most of the film was to keep Thor alive, to not lose the last of his family. On the one hand, I consider this bravery, that Loki seems to have reached a level of honesty with himself, that he does value his family, the family that let him down and hurt him, inadvertently or not, and that could still reject him (see again his conversation with Thor, he had to know that Thor might still reject his help and invalidate his sincerity), rather than simply pushing them away and running from the pain of past and potential rejection.

Ragnarok is not perfect, obviously. The dynamic between the brothers is unbalanced, and Loki might not have returned to Thor’s side for the healthiest of reasons – their relationship will always have a flavor of codependency to me. But for me, this does not invalidate what I consider to be good character development and progress on Loki’s part. Besides, I love that I have a reflection of how messed-up and hurtful relationships can be in real life, even when the other person does love you. I also disagree that the narrative affirms Thor at every turning, he is mocked plenty as well while he flounders in Sakaar at the mercy of Valkyrie and the Grandmaster. The film stops mocking both Thor and Loki once they are back on Asgard working towards a selfless goal, rescuing the survivors on Asgard. 

It’s just my opinion. I get most people will probably disagree with me, and that’s okay.

I can’t speak for other Loki fans who have been criticizing Ragnarok, but my problem with its depiction of Loki’s psychology is not that it shows him having “moved past” his trauma; rather, it either ignores it, or actively mocks and minimizes it. A few people who have a negative overall opinion of TR, like @foundlingmother, have decided for the purpose of fanfiction (or avoiding despair) to read the play as Loki’s self-therapy, his attempt to come to terms with his heritage and achieve some kind of catharsis regarding his sacrifice… but that’s an extremely generous interpretation, and I doubt very much that it’s the one the film’s creators (screenwriter Eric Pearson as well as director Taika Waititi) intended. The film doesn’t even acknowledge that Loki’s Jotun heritage was ever a problem for him or for Asgard; if the revelation in the play was intended to show reconciliation of himself and/or Asgard to the idea, it might have alluded to the fact that Asgardians (used to) regard Frost Giants as monsters. It also seems implausible that it’s supposed to help him move past his near-death experience, because the movie never acknowledges that Loki was actually stabbed, whether or not he believed he was going to die. Loki never contests Thor’s claim that he “faked his death” – suggesting that he staged the whole thing – and the movie invites us to think that the only reason he did it was to usurp the throne, and that the only reason he did that was so he could glorify himself and live in luxury, rather than, say, hiding from Thanos and trying to keep the Infinity Stones away from him, or even taking (not totally unjustified) revenge on Odin for his lies and maltreatment.

Someone else pointed out recently that the play has Loki say “I’m sorry about that thing with the Tesseract. I just couldn’t help myself,” and then his next line is “I’m a trickster,” which seems to be intended as an explanation. I guess I can see why he wouldn’t want to reveal to all of Asgard that he was under severe pressure from a bigger supervillain… but he didn’t have to mention it at all. This, and the implied explanation for Loki’s seizing the throne, is a general pattern: TR consistently reduces Loki’s motivation to “I’m a trickster, it’s in my nature” – or, effectively, “I did it for the lulz” – when his motivations in previous films have never been that simplistic. Arguably, letting the Frost Giants in to disrupt Thor’s coronation and goading him into trying to go to Jotunheim might have been partly out of mischief (“to ruin my brother’s big day”), but it was also because he wanted to prove to Odin that Thor wasn’t ready to rule – and he wasn’t wrong about that. His reasons for lying, betraying Thor, and causing destruction throughout Thor are envy and resentment, the desire to prove himself to Odin, and emotional pain over the revelation of his origins. His reasons for invading Earth in The Avengers are ambition, anger at Thor and Odin, and some level of coercion from Thanos.

There are definitely respects in which Loki acts like a trickster in earlier films, weaving complicated schemes, delighting in chaos, and hiding his true intentions; but he always has comprehensible, psychologically realistic motivations for his crimes and betrayals. What’s more, it should be clear from watching the previous movies that he almost never enjoys betraying Thor. FFS, he’s crying while he fights him at the end of Thor; he’s obviously affected, even tempted, by Thor’s pleas for him to come home in The Avengers, he hesitates before he drops the cage, he has tears in his eyes when he stabs Thor on the tower. As I’ve discussed elsewhereTR ignores all of that and scrapes Loki’s psychology paper-thin, essentializing him as a simplistic version of the trickster archetype who just can’t resist the urge to betray people for shits and giggles.

It’s only because of this denial of Loki’s psychological depth and motivational complexity that TR can set up the bit where Thor “tricks the trickster” and gives that lecture about change. As @endiness (and others, probably) has speculated, the creators seem to have ignored all of Loki’s character development in previous films precisely so that Thor can get all the credit for his “reform” and “redemption.” It’s not at all clear why Loki betrays Thor on Sakaar; again, people trying to rescue the movie’s characterization can speculate that it’s because Loki is pissed at Thor for dismissing him, or maybe to keep Thor from what Loki thinks of as a suicide mission to fight Hela, but I think (and Thor’s little speech strongly suggests) the movie wants us to assume Loki did it for the same reason it claims he went after the Tesseract: “I just couldn’t help myself. I’m a trickster.” It’s really kind of rich that Thor is preaching at Loki about growth and change, considering how much Loki has changed over the course of the films, while TR regresses Thor back to the brash arrogance of the first film – no, worse; it makes him narcissistic and cruel in a way he wasn’t even at the beginning of Thor, as oblivious and insensitive as he could be. Many of the people who condemn TR are people who love Thor (almost) as much as they love Loki, and all of them agree that it ruins Thor’s character even more than Loki’s. I kind of don’t understand how the “Thor stans” can still call him a kindhearted little ray of sunshine in light of his behavior toward Bruce/Hulk as well as Loki… but as I said before, I think they’re motivated to like the movie and the version of Thor that together put Loki in his place.

As I’ve said, it’s possible to give the portrayal of Loki a more generous interpretation than I’ve offered, but part of the reason I seriously doubt it’s intended that way is that if you put the text of the movie, including the mocking tone of the little play, together with Taika Waititi’s interviews and other conduct, you get a picture of someone who is contemptuous of the rest of the Thor franchise, of Loki as a character, of Tom Hiddleston as an actor, and of Tom Hiddleston-as-Loki’s mostly female fans. Of course, people who are more gung-ho than I am about “the death of the author” have a policy of ignoring the artist’s intentions entirely, and that might be a good strategy if you want to stay positive about the movie.

This is the most direct addressing of the points I raised that I have ever got, so thank you. I hadn’t thought about framing Loki’s actions and motivations throughout Ragnarok through the lens of the specific wording in the play. Hm. The play is one of those things I’m still thinking on – because I agree entirely with everything you have to say about the complex psychological motives behind all of Loki’s past actions.

As to Thor…I admit I have devoted most of my energy to thinking about Loki in this film, and haven’t perfectly worked through my conflicting feelings on Thor’s characterization. I do feel like I understand why Thor is acting this way, considering that Loki has hurt him in the past, but their problems run both ways, and I would have liked it a lot better if Thor would have acknowledged this at all and tried even once to genuinely reach out to Loki. I get that the film is trying to say that sometimes if a relationship is toxic, it’s better to cut off contact than continue to try to help someone who refuses to change, à la A&E Intervention. The execution could have been done better, because I don’t think Thor has given Loki a proper chance at communication first or recognized his own role in the problem yet, before deciding to just leave him vulnerable on Sakaar. So, yes, much of what Thor does in this film sometimes feels unkind or thoughtless, if not cruel.

I disagree on the part where you say it is entirely unclear why Loki betrays Thor on Sakaar again. I thought there a good number of signs that Loki was anxious about Thor going back to Asgard, from reminding Thor that “our sister destroyed you hammer like a piece of glass, you’re not seriously thinking of going back” to his anger that Valkyrie had helped Thor escape. 

But you bring up a lot of good interesting points…I understand a little better now why people take issue with the film. I don’t disagree with you that the mocking tone of the play and Waititi’s words don’t mesh very well with my interpretation. I am aware of what Waititi has said, I guess I had kind of decided to throw that out. I usually am a stickler for authorial intent, but in this case I’m willing to make an exception, because Ragnarok is not only Waititi’s creation, it’s also the actors’ and furthermore must be understood within the wider context of previous movies. Like, I am pretty sure Loki was not meant to have faked his death in TDW – so, since Ragnarok implied he did, but never makes any definite statement on it either way, I will continue to assume that he did not. 

Another thing I am not doing is taking Thor’s words and interpretation within the film as the framing for the narrative of the film, even if I suspect that authorial intent intended the film to be read that way. So when Thor talks down to Loki and accuses him of not changing and growing – I am not assuming that that is the interpretation of Loki that the film says is correct. I’m just taking it as presenting Thor’s opinion on Loki. Thor’s POV, and not necessarily the film’s POV. Thor also believes that Odin is “stronger” (that was a WHATT??!? moment for me) even after learning about all the bloodshed and lies he kept, and I don’t think that the film is condoning those lies and bloodshed. Well maybe that all sounds a bit convoluted. Call it mental gymnastics if you will, I guess, it’s the interpretation I enjoy better.

Well, I am an academic philosopher. Addressing points directly is kind of what we do.

There are more problems with Thor’s characterization than just the way he treats Loki, though of course the electrocution scene is the most glaring example of how callous, self-satisfied, and careless of others’ well-being he is in TR. The way he manipulates Hulk and Bruce, telling each that he likes him better than the other, is meant to be funny, but he really just comes off as an insensitive jerk. Likewise with the “Is he though?” about Bruce being powerful and useful. All the self-congratulatory “That’s what heroes do” crap… it feels like a disdainful parody of the actual heroism that Thor and the other Avengers have shown throughout the MCU. It’s one thing to be self-aware about the inherent silliness of superhero movies (which Marvel generally is); it’s another to mock one’s own franchise, both narrowly (the Thor films) and broadly (the MCU), at every turn. And regarding Thor’s “tough love” in “cutting off a toxic relationship” (which, BTW, I’ve been convinced was not actually the goal; Thor was just manipulating Loki by giving him what looked like an ultimatum, and fully expected him to fall in line)… I encourage you to read this post if you haven’t already.

I can’t use the block quote indentation thing to quote from your post because Tumblr has been making the font huge (why?!), so I’ll use italics:

“Another thing I am not doing is taking Thor’s words and interpretation within the film as the framing for the narrative of the film, even if I suspect that authorial intent intended the film to be read that way. So when Thor talks down to Loki and accuses him of not changing and growing – I am not assuming that that is the interpretation of Loki that the film says is correct. I’m just taking it as presenting Thor’s opinion on Loki. Thor’s POV, and not necessarily the film’s POV.”

It seems perfectly clear to me that the film does intend for us to read Thor’s interpretation of Loki’s actions and character flaws as correct, and to applaud him for turning the tables on Loki, telling him what’s what, and getting him to grow up and get over himself and just do what Thor wants him to. As a writer of canon-compliant Thor/Loki fanfiction, however, I find myself in a bind: given that Ragnarok is now part of canon, how can I continue to write in a way that makes both of them basically sympathetic (while acknowledging their flaws)? So for the purpose of fanfiction, I’ve been making interpretive moves similar to yours; I’ve had Loki (and Heimdall!) reproach Thor for his actions, and I’ve had Thor recognize that he overreacted in anger and feel guilty about it, even though I know that the Thor of TR (whom I’ve been calling Thor* because I consider him a completely different character than the Thor of the previous films) probably still thinks he’s perfectly justified, and Loki* (to use the same convention) probably agrees. But the difference between our approaches is that I’m being unrealistically charitable only for the purpose of fanfiction, while my default interpretation of the movie takes into account the authors’ intended interpretation and is therefore almost wholly negative (except that I like what they did with Heimdall and mostly like Valkyrie).