writernotwaiting replied to your post “To all the people saying “the Russo brothers and Markus & McFeely are…”

I really have to disagree with you on The Winter Soldier. I still think it’s the best of the run in terms of tight plotting and attention to character and relationships. Loki is still my favorite character, but WS is the best scripted of the MCU.

@writernotwaiting, how recently have you rewatched The Winter Soldier? I watched it just a few weeks ago as part of my pre-Infinity War review of the MCU and I was underwhelmed. The banter between Steve and Sam was fun, but I found myself getting bored during the action sequences and kind of confused by the twists and turns of the plot (it didn’t help that I was a bit distracted by liveblogging my viewing experience on Tumblr).

As you can see in my eventual ranking, I put it pretty low. Of course, as my ranking also indicates, I still think Joss Whedon is a good writer of plot and yes, even character, even if he does fall into some problematic tropes involving the treatment of female characters. (But then, so do Markus & McFeely – Sharon Carter, anyone? and their serial fridging habit?) Whedon can turn a line of dialogue better than anyone else the MCU has ever hired. But I also think ThorIron Man, and The Avengers are more elegantly plotted than TWS, and Black Panther does a better job of balancing plot, character, humor, and deeper moral issues. Maybe it’s ultimately just a matter of taste.

To all the people saying “the Russo brothers and Markus & McFeely are smart, they wouldn’t kill Loki in such a stupid way and leave all these hints that he might still be alive”:

  • They’re not that smart. Civil War was terrible; The Winter Soldier wasn’t as great as everyone says it was; and hello, have you seen what they did with Infinity War? Even aside from Loki’s stupid death, I mean. Thanos’s “sympathetic” Malthusian worldview? Fridging Gamora for Quill’s AND Thanos’s Manpain™? Our heroes deciding that a whole bunch of Wakandans can die so that Vision doesn’t have to because “we don’t trade lives” (right…)?
  • Markus & McFeely wrote Thor: The Dark World, which had a really weak main plot and not that much involvement from Loki until Joss Whedon was brought in as a script doctor and added more for reshoots.
  • Markus & McFeely originally intended to kill Loki permanently in TDW but Feige made an executive decision to bring him back because of his popularity with fans at the time. His mainstream popularity has (I think) waned since then (partly due to the deliberate diminution and demeaning of his character in Ragnarok).
  • I wouldn’t be surprised if M&M wanted to finish the job they started in TDW. They fridged Frigga to bring Thor and Loki together through Manpain; they had every intention of fridging Loki permanently for the sake of Thor’s Manpain.

imaginetrilobites:

i’m laughing so hard not even because of the whole ‘hiddleston too old’ thing but

they kill off loki and heimdall

to give thor movitation

thor

who is a god and a king and an avenger and represents all that is good 

and is the epitome of protectiveness 

… yeah i can totally imagine how thor finds out about a guy who 1. tortured his beloved brother 2. wants to murder half the universe 3. can actually do it 

and thor is just like yeah i think i’m gonna sit this one out 

Your Burning Questions About “Avengers: Infinity War,” Answered

thortunes:

Understandably, Markus and McFeely chose their words carefully when talking about Avengers 4. But listening to them talk about how Infinity War’s deaths — including the more, er, traditional deaths of Loki (Tom Hiddleston), Heimdall (Idris Elba), Gamora (Zoe Saldana), and Vision (Paul Bettany) — will affect Avengers 4, it seems pretty clear characters won’t be resurrected good as new like they are in the comic, or at least without some great cost.

“[Avengers 4] doesn’t do what you think it does,” said Markus. “It is a different movie than you think it is.” Then he paused. “Also…[the deaths are] real. I just want to tell you it’s real, and the sooner you accept that, the sooner you will be able to move on to the next stage of grief.”

Well… OK. 

Of course now the part of me that wants to remain in denial is telling me, “Real and permanent are two different things.”

Jon Snow was, after all, really (most sincerely) dead…

Your Burning Questions About “Avengers: Infinity War,” Answered

lucianalight:

philosopherking1887:

foundlingmother:

hulkbanners:

this is the only news that matters tbh…..

Torn between being happy Valkyrie survived, and pissed that they’re doing this. Seriously? “I know we didn’t show it to you or mention it whatsoever, but lots of Asgardians survived, including the woc we didn’t bother to put in our movie.” That’s lazy and a cop out.

You know, I kind of figured, since it would be implausible for a ship of that size not to have escape pods – they’re like the lifeboats on the Titanic. But it is annoying that they didn’t even have Thor say “At least the Valkyrie led some of my people to safety” or something like that.

The bad news: this reduces the likelihood that Loki will be brought back in A4. If some of the Asgardians survived – including Brunnhilde, whose presence in future movies has been teased – it becomes less imperative to turn back the clock as far as the attack on the Ark… and makes that “No resurrections this time” line seem more like a declaration from the creators themselves rather than merely from Thanos.

Yes. That’s exactly what it was. A declaration from the creators.

And it felt nasty to me, in a way not dissimilar to Taika Waititi’s curt “No.” to the woman petitioning for a solo Loki movie. It felt like they were saying to Loki’s (mostly female) fans, “You’ve been spoiled in the past, but you can’t keep expecting to see your fave come back every time. He and you have worn out your welcome here; we have other priorities.”

Philosophy in “Infinity War” Part I: Thanos vs. Ultron

philosopherking1887:

As promised, I’m going to start talking about some of the philosophical issues raised in Avengers: Infinity War, and this first one gives me an opportunity to discuss something I’ve meant to for a while: why I find Ultron so interesting. Spoilers and long discussion are under the cut.

Keep reading

Popular opinion: Markus and McFeely are dimwitted hacks. Unpopular opinion: if Marvel wanted to delve into philosophical issues and create a villain who was interesting and compelling without necessarily trying to make him sympathetic… they shouldn’t have pissed off Joss Whedon.

Tagging some folks who might be interested: @foundlingmother, @fuckyeahrichardiii, @seidrade, @imaginetrilobites

Reasons why Loki is still alive:

taranoire:

lesbiansassemble:

1. Tom Hiddleston signed a six film deal, so we can expect him to be in Avengers 4.

2. Loki is known as a ‘Silvertongue’, so his choice of words is always extremely important. So, when he says “undying fidelity”. I think this is an allusion to the fact that he is not dead.

3. Further on from the ‘Silvertongue’ point, Loki says “I promise you, brother, the sun will shine on us again”. This seems too far out of place to be a coincidence. I think Loki is trying to subtly tell Thor that he has a trick up his sleeve that may end up saving them.

4. Loki has already feigned death so many times, is it really so far fetched to think he has done it again?

5. He disappeared from the scene for several minutes and we have no idea what he was doing during that time. He then reappears super cocky and arrogant which is a direct contrast to how terrified he’d been a few minutes prior. This seems to suggest that perhaps he is using an illusion of some sort.

6. He emphasizes the fact that he is a “God of Mischief”, thus perhaps hinting to Thor that he is about to perform a trick, or to allude to the audience that all is not as it seems.

7. Loki did not change into his Jotun form after he died. This seems odd because his Aesir form is an illusion, so it should have disappeared when he died. Furthermore, there are a couple of mentions of Loki being “the rightful King of Jotunheim” and “not Asgardian”, which may be an attempt to draw the audience’s attention to this fact.

8. It was very uncharacteristic of Loki to act so impulsive by stabbing Thanos with a small dagger. It seems to me that the attack was more of a distraction than a real attack. The Loki we know would have attempted to use some sort of illusion or trick in order to attack Thanos and mean it.

9. Tom Hiddleston mentions in a recent interview that “Chaos isn’t something that’s threatening to Loki” and that “Everything is fine”. This seems to suggest that Loki is alright, and hasn’t actually died.

10. Loki’s choice of last words, “You will never be a god”, introduces the idea that maybe Loki has survived due to the fact that he’s a God, and cannot be killed so easily.

11. If the Russo brothers wanted to make Loki’s death truly believable, they would have had Loki using his illusions, and Thanos seeing straight through them and then killing him. The fact that none of Loki’s powers were used at all, makes it seem that he has perhaps feigned death.

12. Finally, I refuse to believe that Thor’s last words to Loki are “You really are the worst brother”, it just seems so wrong to me after all they’ve been through.

I think he’s really literally dead this time, but knows he’ll be brought back some way or another.
Like Strange, he knows the only way they can win is if they make sacrifices now. But he promises Thor they will be together again, somehow, and that’s too strong a statement to be arbitrary.

I’d definitely like to believe in all of these reasons, but my pessimistic side suspects that we, as Loki’s fans, are grasping at straws. Many of these points, especially in combination, seem compelling, but I’ve got some reasons not to get too optimistic…

1. The number of films named in an actor’s contract is binding on the actor, but not the studio. He can’t say no if they want him in 6 films, but they don’t have to use all 6.

2, 3, 8, and 11 all rest on the presupposition that the writers, directors, producers, etc. care about making Loki’s characterization consistent and plausible. We saw what happened with Thor: Ragnarok, which seems to indicate that the higher-ups at Marvel do not care about that, or about making Loki appear competent. It’s fairly clear to me that the screenwriters, Markus & McFeely, and the Russos, who all got their start at Marvel working on the Captain America movies, care far more about Cap and his friends than about anyone else, and beyond that care more about the Avengers than about formerly villainous side characters like Loki. Markus & McFeely wrote the screenplay for Thor: The Dark World; it was faring poorly with test audiences, so Marvel brought in Joss Whedon as a script doctor. Whedon’s diagnosis was, in effect, “This movie has a fever, and the only prescription is more Loki.” He wrote at least the shapeshifting scene and the bro-boat scene; Loki’s trial at the beginning was also a late addition based on a tie-in comic. The point I’m trying to make is that Markus & McFeely did not consider Loki all that important and gave him a much smaller role in the movie than he eventually ended up playing, so I don’t expect them to place that much importance on Loki’s character coherence or narrative arc now, either.

4. This point can cut both ways. A lot of people have been pointing to the “no resurrections” line and noting that Loki dying but not really is getting to be an old trick.

7. There’s a fair amount of disagreement among fans about whether Loki’s Aesir form is an illusion/glamour or whether he’s actually a shapeshifter who can physically inhabit either form. For a variety of reasons (which I won’t list here), I favor the latter theory. I also don’t think that the darkening of his face during his “death” scene in TDW had anything to do with his Jotun nature; I think it probably had something to do with Kurse’s blood being on the blade he was stabbed with.

9. Tom was probably bullshitting because he was asked to “reassure” his fans. I wouldn’t take it all that seriously. And, you know, Loki lies, even if Tom usually doesn’t.

12. I don’t think Markus & McFeely and the Russos care about Thor and Loki’s relationship any more than they do about Loki as a character… and since Thor was saying crap like that all throughout Ragnarok, there’s something kind of fitting about it.

All that said, I really, really want to believe that you’re right.

I’m probably just being pedantic (as usual), and I don’t know squat about the actual content of IW, but I’d like to insist on the difference between the role of the *screenwriters*, Christopher Markus and Stephen McFeely, who wrote the story and dialogue, and that of the *directors*, Joe and Anthony Russo, who figured out things like staging, framing, and precise expression. Markus and McFeely are primarily to blame/credit for the actual sequence of events, including significant character deaths.

Chris Hemsworth angry writers reinvented Thor in Avengers Infinity War

dracarys–stormborn:

philosopherking1887:

princess-ikol:

whitedaydream:

‘I came into this and called Joe and Anthony and said, “Look, don’t write me the old Thor, we’ve got a new Thor now,”’ Chris said.

He was referencing the highly acclaimed shift towards a comedic, self-referential tone he and Taika made with Ragnarok.

But instead of observing his request to keep the character’s newfound mojo alive, the Russo brothers reportedly told him they’d ‘reinvented’ the character once again.

Chris recalled his response: ‘I was like “no, no, no” and I was really protective of what I’d created with Taika.’

They explained that the new direction was in line with the higher-stakes of the Avengers film, and to ensure the character worked well in an ensemble cast.

oh thank the fucking norns

Oh no, Chris is going to have to actually act as a character instead of just playing himself.

I hope by “reinvented” they just mean went back to the character as we’d known him for 4 movies before Chris got tired of pretending he can act.

(This article doesn’t even really make sense because the Russos didn’t write the script, they just directed it; Markus & McFeely were the writers.)

It’s an unpopular opinion, but I welcome this change. I hated Ragnarok!Thor. The Russo Brothers know what they’re doing. They did a great job with Cap, and they’ll do great with Thor. By not making him a Space Viking Tony Stark. 

Dude, calling Ragnarok!Thor a “Space Viking Tony Stark” is an insult to Tony Stark. Tony Stark only pretends to be indifferent to other people’s feelings.

I’m not sure I trust the writers, Markus and McFeely; they turned Captain America: Civil War into a soap opera about personal loyalties and vendettas and completely dropped the ball on the larger political and philosophical issues they had the opportunity to explore. They also wrote most of Thor: The Dark World, which is largely a boring, forgettable mess without the Loki scenes they brought Joss Whedon in to add in reshoots. I’m actually kind of intrigued by the strategy they described of making Thanos the central character of IW and the Avengers effectively supporting characters, even though everyone else is appalled by it, but I’m skeptical that they have the skill to carry it off well.

Chris Hemsworth angry writers reinvented Thor in Avengers Infinity War