philosopherking1887:

philosopherking1887:

philosopherking1887:

philosopherking1887:

philosopherking1887:

philosopherking1887:

philosopherking1887:

I finally started watching season 7 of “Buffy” because I finished season 3 of “Angel” and let me just say I am really glad the Gentlemen aren’t in the credits anymore so I won’t freak out at the beginning of every episode.

Omg why did no one tell James Marsters that in a southeast English dialect “can’t” has a long ‘ah,’ not a short ‘a’? They had an actual Englishman in the cast.

There’s a character named Cassie who predicts her own death and no one believes her. Clever.

“You post Doogie Howser fanfiction. Normal, right?”

I recognized two of the actresses who played cheerleaders. One of them plays Clementine on “Westworld” and the other was Sheldon’s fan club on “The Big Bang Theory.”

I was enjoying how Xander and Willow both accidentally drooled over Dawn.

Their 2002-3 clothes are reminding me so hard of what I wore in high school. And in some cases well into college.

“One bite stand”? Really?

I’ve forgotten a bunch of stuff from earlier seasons so now I kind of want to go back and rewatch the whole show.

philosopherking1887:

philosopherking1887:

philosopherking1887:

philosopherking1887:

philosopherking1887:

I finally started watching season 7 of “Buffy” because I finished season 3 of “Angel” and let me just say I am really glad the Gentlemen aren’t in the credits anymore so I won’t freak out at the beginning of every episode.

Omg why did no one tell James Marsters that in a southeast English dialect “can’t” has a long ‘ah,’ not a short ‘a’? They had an actual Englishman in the cast.

There’s a character named Cassie who predicts her own death and no one believes her. Clever.

“You post Doogie Howser fanfiction. Normal, right?”

I recognized two of the actresses who played cheerleaders. One of them plays Clementine on “Westworld” and the other was Sheldon’s fan club on “The Big Bang Theory.”

I was enjoying how Xander and Willow both accidentally drooled over Dawn.

Their 2002-3 clothes are reminding me so hard of what I wore in high school. And in some cases well into college.

philosopherking1887:

philosopherking1887:

philosopherking1887:

philosopherking1887:

I finally started watching season 7 of “Buffy” because I finished season 3 of “Angel” and let me just say I am really glad the Gentlemen aren’t in the credits anymore so I won’t freak out at the beginning of every episode.

Omg why did no one tell James Marsters that in a southeast English dialect “can’t” has a long ‘ah,’ not a short ‘a’? They had an actual Englishman in the cast.

There’s a character named Cassie who predicts her own death and no one believes her. Clever.

“You post Doogie Howser fanfiction. Normal, right?”

I recognized two of the actresses who played cheerleaders. One of them plays Clementine on “Westworld” and the other was Sheldon’s fan club on “The Big Bang Theory.”

I was enjoying how Xander and Willow both accidentally drooled over Dawn.

goingrampant:

kyliafanfiction:

rahirah:

kyliafanfiction:

rahirah:

luscious2:

cannibalsuxx:

It disgusts me that Buffy never beat the living shit out of Xander after he yelled at her in 3×02 and not after Buffy finally found out Xander lied about Willow telling her to kick Angel’s ass. Joss Whedon’s scummy ass just loved putting himself in that character to put Buffy “in her place.” Scumbag. Xander never faced consequences and that was because Joss never did. Until the 2010’s came for ha white Thano’s looking ass.

Actually Joss is Buffy.

It was about four years after the end of the run of Buffy that I really just went “Oh, I was Buffy! The whole time.” I always thought I was Xander before he started getting laid. I’m the wacky sidekick. Then I had this shocking moment of idiotic revelation that I’d been writing about myself that whole time. -Joss Whedon

Link

It was about four years after the end of Buffy that I went, oh! I was Buffy the whole time. I [thought I was] Xander–before he started getting laid. It’s the best thing about the work. If you’re not writing about yourself, why are you writing? -Joss Whedon

Link

Which casts an exceptionally depressing light on the fact that Comics Buffy apparently can’t handle a long term relationship. :/

Also, really says a lot that you want a heroic character to beat the living shit out of someone for yelling and one lie. I mean, what does theft merit? Beheading? What if Xander had like, dared to lay a hand on her while yelling? Castration for sure.

There’s been rather a lot of “Any character who ever so much as looked cross-eyed at Buffy is scum who deserves to be BOILED IN LAVA and their fans should be pelted with fruits and various meats!” in the tags recently.

It seems to come in cycles. Someone dares to suggest her friends had the right idea once, and then all this for a while.

I honestly don’t get where it comes from. I mean, I love and protect my faves, but still, yeesh.

If you want a quote about Joss seeing himself in Buffy that’s more about Buffy than a guy he isn’t:

“Buffy went through a lot, but I always had a very firm base with her. She’s the guy you don’t see coming. She was my avatar. She was the girl in the picture. Whereas Angel was a straight-up hero, and that made him hard to write.” –Joss Whedon, Cultural Humanism Award Q/A

Also, feminists generally regard the trope of “male character does something skeezy to a female character, who responds with cartoonishly disproportionate violence to teach him a lesson” as misogynistic. Like, it essentially excuses bad behavior on the part of the male character and the male audience who would be presumed to use the character as an extension by including a built-in punishment mechanism. No lesson is taught, just a fee for bad behavior that is paid and moved past with the full intention of committing it again and paying the fee again. If Buffy really beat up Xander for bad behavior, the discourse would be about Joss Whedon thinking that a fee for bad behavior is an excuse for including it at all, and there’s already speculation that female characters beating up male characters is an expression of his masochistic desire instead of any real illustration of female empowerment. I feel like these kinds of criticisms are more about subjective emotional outbursts than any analytical appraisal of feminist storytelling.

hedwig-dordt:

fanhackers:

mybitca:

So I just scrolled through a clickbait article called 20 Dark Secrets You Never Knew About Buffy The Vampire Slayer. I was reading it, and it was pretty much what I expected, until I got to this part:

Under the pretentious name “Buffy Studies,” several colleges and universities have begun to provide courses on the show. While classical knowledge is indeed a thing, and even philosophy has a respectable place in the academic ranks, we can’t help but shudder at the prospect of a show being discussed academically. This is something that fans do anyway via theories and arguments, debates, and controversies.

It’s a dark day indeed when academia takes such things to an unwanted level, reports of which you’ll find covered in the Los Angeles Times. With paper topics ranging as widely as “postmodern reflections on the culture of consumption” and “slayer slang,” we’re looking at a ridiculously irrelevant branch of study that’s not rooted in the real world at all. This just feels disrespectful of the process of academia and all those striving to learn something more useful for their futures.

This kind of hot take will forever piss me off. The idea that Buffy Studies is a “ridiculously irrelevant branch of study” completely misunderstands academia and humanities. Humanities, and this may shock you, studies humans, for the most part. Either through exploring human behavior or human creation. A work of popular culture is an excellent mirror for the beliefs and ideologies of the society in which it was created. The perceived quality of what you’re studying is irrelevant to whether it’s worth studying. What matters is the ideas gleaned from it. For example there’s this excellent youtuber called Lindsay Ellis, doing a series of video essays on the Transformers movies, and her conclusions are fascinating. Not because Transformers is any good, but because it’s popular, and reflects many popular beliefs our society holds. I highly recommend you check it out

And even if we do account for quality, I would argue that Buffy has a lot to offer philosophically and politically, which is worth taking seriously. The show presents itself as feminist, so it’s practically inviting the gender studies people to explore and criticize it. The show has a character read Camus, and has other characters express existentialist and absurdist beliefs. Of course people who study philosophy would be interested in it.

Anyway, sorry about this rant. I just really hate it when people think academia is only worthwhile if they feel it personally benefits them.

So I’m pretty much a Whedon anti-fan but that does not mean that studying his work and the impact it has had on culture and society is worthless. For those interested, here is the Whedon Studies Association. It publishes a fully open access academic journal called Slayage as well as an undergraduate journal called Watcher Junior. They also run a conference.

I can only hope this kind of response will in turn be studies by Buffy Scholars

I am not a Whedon anti-fan (unlike most of this website) because I don’t believe an artist or a work has to be morally perfect in order to have aesthetic or cultural value. The main point, though, is that my dissertation advisor – a prominent, well-respected figure in aesthetics and the philosophy of art – does serious work on TV shows because, as he says, one era’s pop culture is the next era’s fine art. Athenian tragedies were like football games. Shakespeare was the movies. Liszt was The Beatles. “High art” self-consciously created as such is unlikely to last. “Buffy,” “Xena,” “The X-Files,” “The Sopranos” – that’s what future scholars will look at when they study this cultural period.

papercyborgs:

[ Giles & Buffy Quote ] 

Buffy: Does it ever get easy?

Giles: You mean life?

Buffy: Yeah, does it get easy?

Giles: What do you want me to say? Buffy: Lie to me.

Giles: Yes. It’s terribly simple. The good guys are always stalwart and true. The bad guys are easily distinguished by their pointy horns or black hats, and, uh, we always defeat them and save the day. No one ever dies and… everybody lives happily ever after.

Buffy: Liar.