Top: Ragnarok by Tyrine Carver and Wil Woods of Musetap Studios
Bottom: Smile, Brother! by Tyrine Carver of Musetap Studios
So we had two strong but contrasting reactions upon watching Ragnarok . One was that it is beautiful and fun with badass fight scenes and a myriad of new awesome characters. The other is that Asgardian brotherly love is hilarious and should be the focus of more movies.
(The Print Shop and links to find Musetap Studios around the web are all on my header! (ノ^ヮ^)ノ*:・゚✧ )
good morning everyone have an absolutely furious mongoose
It’s cuter when you recognize that the lion with visible spots is a juvenile. There’s a very high chance the other lion that runs over to investigate is the MOTHER.
The first lion is asking for comfort because she was given a big spook!!! and she needs mommy to tell her it’s safe and ok!!!! (What’s cuter is that mommy clearly reassures her, and goes on to take the parent role of ‘deal with the scream rat in order to protect my large and easily frightened daughter’)
Aliens have invaded and are taking over. Their technology, intelligence, and power is unstoppable. They just didnt plan on one thing: The old gods returning.
When they first arrived, we were overjoyed. Proof that we weren’t alone
in the universe, that there were other races to share and exchange technologies
with! Their arrival brought about world peace – with other life forms out
there, we needed to present a united front. World hunger and poverty was solved
within a decade, a demonstration to our new friends that we were worthy of the
responsibility of exploring the galaxy.
They disagreed.
They accessed our histories, they saw everything, and they recoiled in
horror. They could not fathom the world we had created, and the solutions we
had brought about not because it was the right thing to do, but to impress
them.
They were not impressed. They told us, regret tinging the translators,
that we could not be trusted as keepers of this world. The damage we had done
was coming close to being irreparable, and for our own good they’d need to take
over.
I have to say, I agreed – humans are terrible. But the funny thing
about humanity is, even if something is right, if it means giving up our
control, it is wrong.
We fought back.
At first we fought back democratically. This race that had descended
from the stars was peaceful, never seeming to favour violence. We didn’t think
they’d start killing indiscriminately. We didn’t think they’d take inspiration
from our own history books.
As with so many other things, we were wrong.
An extreme group of humans succeeded in ambushing and killing several
of their high-ranking Xenos. Human lives were lost in the process, but the
extremists saw that as a necessary sacrifice, a means to an end. The Xenos had
been shown that we wouldn’t tolerate their kind here, that they should leave
and let us get on with things how we always have.
Within days, war had been declared, and we learned why we should have
tried harder. Had they decided to simply fight the moment they touched down, to
systematically advance and wipe out every human life they came across, we
wouldn’t have stood a chance. Their weapons, armour, tactics, the sheer
firepower and the size of their armies were beyond comprehension. Out of rage
and grief, they marched over us, and began the slow process of wiping us out.
Bullets couldn’t pierce their armour and shields, rockets fell to the ground
lifeless, and even nuclear devices were somehow disabled mid-flight.
Still we fought back. Humans never have figured out how to give up when
all hope is lost.
There was no formal resistance of rebellion, we simply gathered,
fought, and survived where we could. When something new happened, it took
weeks, months, to reach every last survivor.
And then, something unbelievable happened.
Stories started filtering through to the pockets of us in hiding, strange
stories – a freak electrical storm in Greece that appeared from a clear blue
sky and wiped out a thousand of them in less than 15 minutes; Xenos impaled on
braches of rare trees, some kind of grisly warning that we chalked up to particularly
violent survivors in that area; whole armies frozen to death because the
temperature around them had dropped too quickly for their environmental suits
to keep up with. Freak weather patterns that worked in our favour, violent
survivors, terrain they couldn’t navigate. That’s what we told ourselves when
the stories filtered through.
But then they got weirder. There were stories of Xenos being swallowed
by the ground itself. A pack of wolves, larger than anything ever before seen
appeared from a crack in a mountain range to storm through an encampment and
kill every last Xenos. There was a massive surge in the number of corvids
around the world, and they always seemed to congregate where the Xenos were
thickest… days before something killed everything. Then they’d vanish, and more
corvids would appear somewhere else. Harbingers, just like the old tales.
One day a massive seafaring vessel chasing a fishing trawler was pulled
under the water – no reefs or icebergs in the area, and the sea mines had long
been disarmed and deactivated. I spoke to a man who had been in the sloop
running from the Xenos ship, and he swore blind the Kraken had got it, the
tentacles alone bigger than the tiny boat he’d been huddled on. He shuddered
and drank too much, and I put it down to hallucinations caused by a bad batch
of moonshine. There was no such thing as monsters.
Then we heard about warriors. We heard about chariots, of all things,
chasing down whole platoons of Xenos in Egypt, chariots so bright it felt like
staring into the sun; a huge hound with three heads was spotted in Greece, a
man in shadows and a woman of light removing the leash as Xenos advanced on
them; a woman showed up in Iceland standing head and shoulders above the
tallest man there, with an army of her own. They didn’t seem to fall in battle,
and pushed the Xenos back, fighting with sword and shield and spear, a fury
that our alien invaders couldn’t match.
Humanoid creatures with eyes of fire supposedly began granting wishes
over in Syria, as long as your wish was for them to kill your enemies. There
were sightings in Ireland of pure white horses, horses that once ridden wouldn’t
let you off, that dragged people into bogs and rivers. Tales came out of brazil of monstrously large snakes, sometimes
with the faces of women, dragging aliens into the gloom of the rivers and
rainforests.
But there’s no such thing as monsters.
I finally believed when I saw three women facing down the largest army
of Xenos I’d ever come across – at least twelve thousand by my counting. I’d
been running from a scouting party, and when I stumbled out of the treeline onto
a road I realised they’d chased me right into the path of the oncoming horde.
The moment you face your death is a strange one. Everything felt calm
except the thundering of my pulse in my ears, and the crows that seemed to come
from nowhere to blot out the sun.
Then three women strolled into the road in front of me, placing
themselves between me and the advancing army. A young woman, barely out of
girlhood; someone who could have easily been my mother; and a woman so old she
was almost bent double. It was the oldest who strode towards the mass of Xenos
without any fear, leading the other two towards their deaths, and the din of
the crows got louder.
The youngest one glanced my way and smiled playfully, and something
from my grandmother’s tales made me flatten myself to the ground, hands clamped
firmly over my ears.
The scream started low, in the back of the old woman’s throat,
travelling through the ground and making every bone in my body shudder with the
vibration. Realisation began to dawn on me as Maiden and Mother joined in with
their Crone, and the scream climbed to a crescendo that could have shattered glass.
Even with my hands tight over my ears it pierced me to my core, a screaming
agony that made me want to curl in on myself and die.
I survived because it wasn’t meant for me.
The Xenos, however, felt the full force of the rage these women contained.
An entire planet’s worth of grieving poured out of them in this shriek, rooting
their enemies to the ground with the difference in tone and pitch between these
three women telling their stories.
The mother stood tall and resolute, screaming her grief at these
invaders, a mother mourning all of her children.
The crone’s low snarl was that of war. Weary of the fighting but always
ready to defend what’s hers, she growled her challenge, and the Xenos couldn’t
stand against it.
The maiden was hope, the only act of defiance in a world on the edge of
ruin. When everything was dust, when the last stragglers of humanity were
contemplating giving up, she was the hope that kept them fighting.
Part of me wondered how many shirts they’d washed, how many rivers they’d
wept together, before standing up and saying “no more.”
The scream stopped abruptly, leaving me feeling like the breath had all
been sucked out of me, a void in the air around me that rushed back in and
filled my lungs with a long, shuddering gasp.
I opened my eyes to carnage. The Xenos had died where they’d stood,
their organs haemorrhaging, what passed for blood pouring from every orifice,
their eyes turning to liquid in their skulls. Bodies were everywhere, and the
crows circling overhead had fallen silent, uninterested in the feast this must
have surely been for them.
The Morrigan was one woman now, ageless and terrifying.
“Get up, child.” She commanded, and I had no choice but to obey,
trembling legs pushing me to my feet. She reached out a hand, and gently wiped a
trail of blood away from my ear. “Did you really think we’d abandoned you?” She
murmured, and the crows descended, carrying her to the next battle.
Monsters are real, and some of them look like people. But the Gods are
also real, and they still believe in us.
So I’m still fighting, and my battle cry is full of hope.
(COMIC CONTAIN SPOILER STUFF) Thor Ragnarok is the BEST Thor movies by far, but i was pissed because of “that scene”. So i’m”fixing” it my own way, your welcome guys!
I strongly disagree with the assessment of the Thor movies – the first Thor is still the best, by far – but I love the art.
Ultimate security as Harry is the only one capable of opening it.
Myrtle proudly spending her time acting as a guard/lookout.
Later, Harry diligently teaching Ron, Hermione, and a few choice others, like Neville, how to mimic parseltongue so that they can open it too.
Muggleborns experiencing vicious satisfaction that they’re using this chamber as a place of education and defense, reclaiming the very space Slytherin built to rid the school of their presence.
Hermione methodically dismantling the basilisk’s corpse, covertly selling the priceless ingredients to potion masters, using the funds to continue their work – buying books and battle robes and new wands for those who can’t afford it.
(Hermione saving a portion of those ingredients for her own research, straightening in triumph when she learns what basilisk venom does to horcruxes, knowing she has vials of it hidden up in her room).
Harry reverently adding the Chamber of Secrets to the Marauder’s Map, proudly continuing his family’s work and reveling in the difference they’re making.
These students – these kids – choosing to train in a dark, horrifying place that was never meant for them. Learning spells amongst shadows, growing stronger in inches of murky water, the smell of a decomposing corpse in their noses, memories of all that had happened here haunting them. They know this is what war is really like and it helps to push them forward.
Updating this because people have brought up some REALLY GREAT plot-holes and I like trying to flesh out my AUs soooooooo…
Ginny is the one who suggests using the Chamber. Of course she is. Harry isn’t the type to think of that, but for Ginny… for Ginny the Chamber still haunts her dreams, too often, and she’s furious that a part of the castle is restricted to her – a part of her home that she wants to avoid. She suggests the Chamber, partly for the DA’s benefit, mostly for her own.
Visibility is a concern – what if someone sees them going into the girl’s restroom? They think it’s a serious issue until Ron starts laughing. No one comes near that bathroom anymore, he says. Not ever. It was barely an issue while brewing a month long polyjuice potion, Ron and Harry popping in and out to add ingredients or to stir. Now though? Now that Myrtle has stepped up her game (shrieking, flooding the room if someone unwanted comes near), now that Hogwarts is infused with rumors that Harry fought a basilisk rightin there, now that the nearby corridor still has a bloody, horrifying message that even the professors haven’t been able to erase*… well, students avoid the area like the plague.
Even if they didn’t, the House Elves help them out. Dobby did, after all, suggest the Room of Requirement before Ginny brought up the Chamber. Who better than the workers who see but are not seen to help the DA keep watch?
The castle helps too. By now it knows Harry and desperately wants to protect its students. More than once Umbridge follows a DA member, only to find the staircase moving unexpectedly, taking her in another direction entirely. Sometimes there’s even a door directly beside the lavatory – appearing out of nowhere – that students can slip inside if they feel the need…
Getting out is the other concern. At first they think to bring brooms or levitate one another out… but that’s just not practical. Then, one of the Hufflepuffs asks the obvious and yet oddly illusive question: how did Salazar get out? They start a search and by the end of the day they’ve found at least four hidden exits.
One exit leads out into the Forbidden Forest, a space that’s not nearly as terrifying as it once was. Harry speaks quietly to Firenze and secures the help of the centaurs for when they need safe passage late at night. One day they encounter a group of acromantulas… and Harry learns of Hagrid’s strict new rule – friends of Hagrid are never food, no matter how easy the prey. The students don’t realize it, but they’re slowly gaining allies. Those in the forest begin to take notice of the children who walk both bravely and respectfully through their trees.
(And one day when they’re too tired to walk back, a familiar blue car pulls up and throws open its doors. Ron cheers like a maniac. Ginny laughs and threatens to tell their dad).
Though the exists are great, it’s Hermione who realizes the Chamber’s true benefit – it lies outside of Hogwart’s apparition zone. How can it not? Godric, Helga, and Rowena didn’t know of its existence when they first made the wards. So now the DA can go with ease, they just can’t pop in from anywhere else in the castle. Which is, admittedly, perfect. Apparition lessons begin in earnest.
(And during the Battle of Hogwarts, DA members take Slytherin students by the hand – those who wouldn’t, couldn’t, fight their own families. They take them down to the Chamber and tell them to apparate out. Leave while you still can. Keep safe).
Harry realizing that parseltongue is easily imitated and coming up with an actual password that has to be spoken, one linked to a spell too. It helps that the snakes around the entrance are semi-sentient and are loyal to their new master. They know who’s meant to go down there and who’s not.
Neville joking one day that they should be learning how to use swords, considering that’s how the original battle down here was won. Harry takes it seriously. Not the swords bit, but using physical/muggle fighting techniques on wizards who are too reliant on their magic. They begin reading up on hand-to-hand combat and knives.
Harry needing to test their progress and getting a really stupid idea… but honestly, those often work out in his favor. So one sunny, Saturday morning – when everyone else is lounging outside – Harry sneaks the DA into the third floor corridor. Fluffy is gone, as is the mirror, but the rest remains, no doubt left in case Dumbledore ever had to guard something else precious. Hermione, Ron, and Harry spend the day supervising, teaching their peers how to react under pressure, think through situations, and rely on one another’s skills.
And then one day things get weird (because they always do with Harry) when he realizes that the miniature chamber the basilisk was kept in is the only part of their hideout they’d yet to explore. See, given their rarity, it’s unsurprising that wizardkind knows so little about basilisks – not that they reproduce asexually or that only a parseltongue can hatch the egg. So when Harry crawls into the chamber, and finds a strange egg-like object nestled there, that begins pulsing a soft green color in his presence, and when he basically says, “What the hell…?” out loud, and when it comes out in parseltongue because he is surrounded by snake things…well, let’s just say a few minutes later Harry crawls back out, very sheepish, a baby basilisk cooing around his neck. He laughs pretty shakily and mutters something about finding their mascot.
(And they name the beast – because of course they do – and Hermione invents a soft device to cover its eyes and feeding it is an absolute horror… but they do grow to love their ‘mascot.’ And during the Battle – when Harry is off in the forest and Hogwarts is losing badly – no one is more surprised than the Death Eaters when Ron and Hermione come tearing out of the school riding a goddamn fully grown basilisk. Hermione rips off the cover on its eyes and sets to work).