wafflediaries replied to your post “wafflediaries replied to your post “You know, it wasn’t until I was…”

Also, I wasn’t accusing you of writing fan fiction, I was noting that fandom generally has a perception of Loki that is not congruent with any canon portrayals of him. It is canon from previous films that MCU Loki loves attention, is terrible at long term planning but can quickly adapt to new situations, and is manipulative and enjoys playing cruel tricks (which is detrimental to his love for attention). These traits were all demonstrated in Thor Ragnarok.

Erm, actually, @wafflediaries, you said (and I quote), “Please stop being bitter just because he wasn’t lifted from your OOC Loki-centric fanfic.” Perhaps (as you seem to have confirmed in your later reply) that wasn’t aimed at me specifically, but as the originator of the post I did receive an e-mail notification with that reply in it, so you can understand why I might have thought that it was aimed at me.

Yes, all the traits you mention are part of Loki’s portrayal in earlier MCU films. But his love of attention is more complicated and subtle than shown in Ragnarok. In the first Thor film, he’s shown as being soft-spoken, almost retiring; it seems that we see him discover that he enjoys power and attention once he gets it for the first time. In the deleted scene in which he’s granted the throne by Frigga and some sort of prime minister guy, he hesitates to take Gungnir, and he looks to Frigga for reassurance, but a transformation seems to come over him when he realizes that yes, this power is really his by right.

Ragnarok seemed to make Loki’s insecurity out to be that of the Trumpian narcissist who’s constantly demanding attention and praise and deeply believes that he deserves it, but also feels threatened and lashes out when it’s withheld. That’s not the Loki we saw in Thor, who had genuine doubts about his worth and felt he needed to go to extreme (indeed, genocidal) lengths to prove it. Narcissists like Trump don’t feel like they have to do anything to prove their worth; they think the adulation is simply their due and something is profoundly wrong with the world if they don’t get it. Ragnarok also gave extremely short shrift to the issue that prompted Loki’s crisis in Thor, namely, the discovery that he belongs to a people that have historically been the enemies of Asgard. And it did not really acknowledge the other reasons for Loki’s long-standing insecurity, which were demonstrated in the first film: the fact that Asgardians don’t really respect his talents as a sorcerer who uses magic on the battlefield, or as a (sometimes devious and dishonest) diplomat who’d rather talk than punch his way out of problems. I’ve seen other people dispute that this was part of his characterization (I’m not tagging them, @foundlingmother; behold my self-restraint!), but it seems pretty clear that they missed the point of the deleted scene in which Thor says “Some do battle, others just do tricks” and a servant laughs at the quip (and by extension, at Loki), as well as Vostagg’s “What happened, silver tongue turned to lead?”, which the script explicitly describes as “needling” him, not good-natured ribbing.

So no, the complaint is not that Ragnarok introduced characteristics that were not present in earlier movies; it’s that it reduced Loki to those characteristics, thereby depriving him of depth and understandable motivation.